Laura Betti

Acting

Laura Betti

Born 1927-05-01 · Casalecchio di Reno, Emilia-Romagna, Italy

Laura Betti (née Trombetti; 1 May 1927 – 31 July 2004) was an Italian actress known particularly for her work with directors Federico Fellini, Pier Paolo Pasolini and Bernardo Bertolucci. She had a long friendship with Pasolini and made a documentary about him in 2001. Betti became famous for portraying bizarre, grotesque, eccentric, unstable or maniacal roles, like Regina in Bernardo Bertolucci's 1900, Anna the medium in Twitch of the Death Nerve, Giovanna la pazza in Woman Buried Alive, hysterical Rita Zigai in Sbatti il mostro in prima pagina, Therese in Private Vices, Public Virtues, Emilia the servant in Pier Paolo Pasolini's Teorema for which she won the Volpi Cup for Best Actress, and Mildred the protagonist's wife in Mario Bava's Hatchet for the Honeymoon. Born Laura Trombetti in Casalecchio di Reno, near Bologna, she grew up to be interested in singing. She first worked professionally in the arts as a jazz singer and moved to Rome. Betti made her film debut in Federico Fellini's La Dolce Vita (1960). In 1963, she became a close friend of the poet and movie director Pier Paolo Pasolini. Under his direction, she proved a wonderful talent and played in seven of his films, including La ricotta (1963), Teorema (Theorem, 1968), his 1972 version of The Canterbury Tales, in which she played the Wife of Bath; and his controversial Salo (1975) ("120 Days of Sodom"). In 1976, Betti portrayed Regina, a cruel and eroto-maniacal fascist in Bernardo Bertolucci's Novecento (1900). She also played Miss Blandish in his Last Tango in Paris (1972), though her single scene was deleted. In 1973 she dubbed the voice of the Devil for the Italian version of William Friedkin's The Exorcist. From the 1960s, Betti dedicated much of her time to literature and politics. She became the muse for a number of leading political and literary figures in Italy and came to personify the revolutionary and Marxist era of 1970s Italy. In 2001, she made a documentary about Pasolini, Pier Paolo Pasolini e la ragione di un sogno. She also donated her papers related to their long friendship along with more than 1000 volumes and many documents connected to Pasolini to the archives of the Fondazione Cineteca di Bologna, thus creating the Centro Studi Archivio Pier Paolo Pasolini. This Centro, strongly wanted by Betti, owns also thousands of photograph and all the works of Pasolini: poetry, literature, cinema and journalism. After her death in 2004 her brother Sergio Trombetti has donated all the personal documents of her career to the Centro that has absorbed them under the name Fondo Laura Betti. Source: Article "Laura Betti" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Acting credits

The Cousin poster
5.4

Italian coming of age story about two cousins, Enzo and Agata, told in three stages.

The Cousin

1974

La Dolce Vita poster
8.0

Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.

La Dolce Vita

1960

Theorem poster
7.0

A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.

Theorem

1968

Fat Girl poster
6.2

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.

Fat Girl

2001

1900 poster
7.8

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

1900

1976

A Bay of Blood poster
6.6

An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing field, complicated by some teenagers who decide to camp out in a dilapidated building on the estate.

A Bay of Blood

1971

The Canterbury Tales poster
6.1

Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.

The Canterbury Tales

1972

Oedipus Rex poster
6.8

In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Oedipus, and brought up by the King and Queen of Corinth as their son. One day an oracle informs Oedipus that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents - only to get into a fight and kill an older man on the road…

Oedipus Rex

1967

Allonsanfan poster
6.9

After the 1815 Restoration, an aging revolutionary finds himself reluctantly involved in an attempted insurrection in Southern Italy while growing increasingly disillusioned with his cause.

Allonsanfan

1974

The Witches poster
6.0

Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men. A woman offers to take an injured man to the hospital. A widowed father and his son seek for a new wife/mother. A man seeks revenge for a woman's honor. A bored housewife tries to explain to her husband that he's not as romantic as he used to be.

The Witches

1967

Marx Can Wait poster
7.2

"Marx can wait" was something Camillo Bellocchio said to his twin Marco the last time they met before the former died at a young age in the heated days of 1968. This documentary is dedicated to his memory.

Marx Can Wait

2021

The Gang poster
6.1

In 1945, as World War Two comes to a close, five small time crooks unite to form a gang. After several bold robberies they become notorious as "the front-wheel drive gang". The police attempt to stop their crime spree with little success, but how long will their luck last?

The Gang

1977

That Night of Varennes poster
6.9

During the French Revolution, a surprising company shares a coach, trying to catch up something - the time itself, perhaps.

That Night of Varennes

1982

The Beaches of Agnès poster
7.7

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

The Beaches of Agnès

2008

With Closed Eyes poster
7.3

In the Tuscan countryside at the end of the 19th century, Pietro, the shy son of a tyrannical landowner, falls in love with Ghisola, a peasant girl with no family. His father has her sent away. Years later, the two meet again: still in love with her, Pietro would like to marry her, but she has become the mistress of a married man.

With Closed Eyes

1994

Class Relations poster
6.8

A young man, recently arrived in New York from Europe, becomes swept up in a series of events that are beyond his knowledge or control.

Class Relations

1984

Jane B. by Agnès V. poster
6.8

The interests, obsessions, and fantasies of two singular artists converge in this inspired collaboration between Agnès Varda and her longtime friend Jane Birkin. Made over the course of a year and motivated by Birkin’s fourtieth birthday—a milestone she admits to have some anxiety over—Jane B. by Agnès V. contrasts the private, reflective Birkin with Birkin the icon.

Jane B. by Agnès V.

1988

ABCinema poster
6.0

No synopsis available yet.

ABCinema

1975

The Great Pumpkin poster
6.7

An epileptic 12-year-old girl, Pippi, is hospitalized in the psychiatric ward instead of the neurological ward, due to an administration error. Out of this mistake begins the difficult journey towards being cured.

The Great Pumpkin

1993

Private Vices, Public Virtues poster
5.2

The setting is a Central European kingdom, near the turn of the century. Bored by his very proper wife, the youthful heir to the throne spends his time in amorous dalliances at a sprawling country estate. His wife departs at the arrival of his friends, and they organize a celebration which becomes a wild orgy and culminates in death and tragedy.

Private Vices, Public Virtues

1976

Hatchet for the Honeymoon poster
6.4

A madman haunted by the ghost of his ex-wife carves a corpse-laden trail.

Hatchet for the Honeymoon

1970

A Man Called Sledge poster
6.1

James Garner is Luther Sledge, the leader of a pack of rebels who are planning to steal a stash of gold. But after the thieves actually manage to get away with the bounty, they soon discover that the enemy lies within their midst. As they begin to bicker over who should get the biggest cut, the stage is set for a deadly showdown. Claude Akins and John Marley co-star in this Italian Western directed by Vic Morrow.

A Man Called Sledge

1970

Marianna Ucrìa poster
6.7

In 18th-century Sicily, deaf-mute highborn Marianna Ucrìa is forced to marry at age 13, bearing three children before even turning 16, when she finally gives birth to a boy. Despite everything, she'll find a way to emancipate herself from the oppressive social conventions of the time.

Marianna Ucrìa

1997

The Woman with Red Boots poster
5.6

An elderly millionaire manipulates an avant-garde writer and a happily married man.

The Woman with Red Boots

1974

Behind the camera