Pamela Yates

A story of destinies joined by Guatemala's past, and how a documentary film intertwined with a nation's turbulent history emerges as an active player in the present.

What began as a video master class evolved into a film about the political documentaries of Oscar-winning cinematographer Haskell Wexler. Comprised of footage from his films as well as interviews, the film is an intimate portrait of the genius behind the camera.

From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.

A story of destinies joined by Guatemala's past, and how a documentary film intertwined with a nation's turbulent history emerges as an active player in the present.

A story of destinies joined by Guatemala's past, and how a documentary film intertwined with a nation's turbulent history emerges as an active player in the present.

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

Filmed across eight U.S. cities on May 1, 1990, the documentary follows homeless activists who simultaneously occupy vacant federally owned houses to protest the lack of affordable housing. Organized with the National Union of the Homeless, the coordinated action challenges government housing policies while documenting the movement from the participants’ perspective.

Documentary made on the set of David Byrne's 1986 film TRUE STORIES.

Founded by a Jesuit priest from St. Louis, a grassroots theatre company takes its shows on the unpaved roads of Honduras to enlighten and inspire villagers in the impoverished countryside.

A powerful set of stories of “righteous persons” taking action along the U.S.-Mexico border, motivated by moral conviction and compassion. "Borderland" shows how courageous actions can lead to political mobilization and the defense of human rights in the face of hate and discrimination.

Late in the 20th century, in response to repeated mass atrocities around the world, more than 120 countries united to form the International Criminal Court (ICC)—the first permanent court created to prosecute perpetrators (no matter how powerful) of crimes against humanity, war crimes, and genocide. The Reckoning follows dynamic ICC Prosecutor Luis Moreno Ocampo and his team for 3 years across 4 continents as he issues arrest warrants for Lord’s Resistance Army leaders in Uganda, puts Congolese warlords on trial, shakes up the Colombian justice system, and charges Sudan’s President Omar al-Bashir with genocide in Darfur, challenging the UN Security Council to arrest him. Building cases against genocidal criminals presents huge challenges, and the Prosecutor has a mandate but no police force. At every turn, he must pressure the international community to muster political will for the cause.

STATE OF FEAR takes place in Peru, yet serves as a cautionary tale for a world engaged in a "global war on terror." It dramatizes the human and societal costs a democracy faces when it embarks on a "war" against terror, a "war" potentially without end, all too easily exploited by unscrupulous leaders seeking personal political gain.

STATE OF FEAR takes place in Peru, yet serves as a cautionary tale for a world engaged in a "global war on terror." It dramatizes the human and societal costs a democracy faces when it embarks on a "war" against terror, a "war" potentially without end, all too easily exploited by unscrupulous leaders seeking personal political gain.

"Mother Tongue" chronicles the first time a documentary film about Guatemalan genocide in Guatemala was translated and dubbed into Maya-Ixil—5.5% of whom were killed during the armed conflict in the 1980s. Told from the perspective of Matilde Terraza, an emerging Ixil leader and the translation project’s coordinator, "Mother Tongue" illuminates the Ixil community’s ongoing work to preserve collective memory.

"Mother Tongue" chronicles the first time a documentary film about Guatemalan genocide in Guatemala was translated and dubbed into Maya-Ixil—5.5% of whom were killed during the armed conflict in the 1980s. Told from the perspective of Matilde Terraza, an emerging Ixil leader and the translation project’s coordinator, "Mother Tongue" illuminates the Ixil community’s ongoing work to preserve collective memory.

What began as a video master class evolved into a film about the political documentaries of Oscar-winning cinematographer Haskell Wexler. Comprised of footage from his films as well as interviews, the film is an intimate portrait of the genius behind the camera.

A report on political conflict in Guatemala examines U.S. support for the country’s military government and its campaign against internal opposition, presenting footage filmed in the region alongside commentary from American and Guatemalan officials. (Note: Standalone film listing justified because titled CBS Reports documentaries are widely cataloged and circulated individually as complete investigative films.)