Ali Fadhil

An in-depth look at news stories. Documentaries that take you behind the scenes giving an insight into people's lives or institutions.

Chronological look at the fiasco in Iraq, especially decisions made in the spring of 2003 - and the backgrounds of those making decisions - immediately following the overthrow of Saddam: no occupation plan, an inadequate team to run the country, insufficient troops to keep order, and three edicts from the White House announced by Bremmer when he took over.

How can one talk about death without showing the dead? Or, experience suffering without seeing the wounds? A possible answer is found in Amer & Nasser, a video-gram excerpted from a documentary on the 1991 rebellion of Iraqi people, which turned into a bloodbath: the slow pace of the images allows us not really an observation, and investigation, of the two martyrs identity, rather it poses the questions: Why did it all happen, and Where were we? The two blindfolded faces apparently emanate serenity and resignation, but they also hide a terrible anguish. The slow pace of time, This Time, marks the steps of the sentenced ones, and the pushes and shoves of the soldiers, like it had lost its way. The slowing-down of the movement leads the mind’s way into the maze of the afflicted soul. In front of the camera-spectator, the passage of the brothers led to an army truck, while a flute announces the imminent trespass of life into death, looks like one towards the unknown.

An in-depth look at news stories. Documentaries that take you behind the scenes giving an insight into people's lives or institutions.

How can one talk about death without showing the dead? Or, experience suffering without seeing the wounds? A possible answer is found in Amer & Nasser, a video-gram excerpted from a documentary on the 1991 rebellion of Iraqi people, which turned into a bloodbath: the slow pace of the images allows us not really an observation, and investigation, of the two martyrs identity, rather it poses the questions: Why did it all happen, and Where were we? The two blindfolded faces apparently emanate serenity and resignation, but they also hide a terrible anguish. The slow pace of time, This Time, marks the steps of the sentenced ones, and the pushes and shoves of the soldiers, like it had lost its way. The slowing-down of the movement leads the mind’s way into the maze of the afflicted soul. In front of the camera-spectator, the passage of the brothers led to an army truck, while a flute announces the imminent trespass of life into death, looks like one towards the unknown.