Peggy Chiao

In 2013, the Golden Horse Film Festival celebrated its 50th anniversary. The ministry of Culture commissioned director Yang Li-chou to make a documentary about the history of Golden Horse. What is unique to this film is that it's not an ode to celebrities but about the role cinema plays in ordinary people's lives. It's a love letter to cinema, filmmakers and audiences.

This film is a record of the first Yamagata International Documentary Film Festival. It reflects the various ways the festival was given shape by nascent global changes embodied by Perestroika, the Tiananmen Square massacre, and many other contemporaneous events.

An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.

Documentary about Chinese film director King Hu.

In the final days of the year 1999, almost everyone in Taiwan has died from a strange plague that ravished the island. As rain pours down relentlessly, a single man is stuck with an unfinished plumbing job and a hole in his floor. This results in a very odd relationship with the woman who lives below him.

A seventeen-year-old country boy working in Beijing as a courier has his bicycle stolen, and finds it with a schoolboy his age.

A seventeen-year-old country boy working in Beijing as a courier has his bicycle stolen, and finds it with a schoolboy his age.

Yueh-chen has an obsession with her classmate Shihao, but is too shy to confess to him directly. She sends in her best friend, Kerou, to act as a go-between, and Shihao ends up falling for Kerou, who is not sure what to think of him.

In 1899, Lord Kang must decide which of his three sons will take over his family's Chinese banking empire. When circumstances dictate that he appoint his unreliable youngest son, family bonds are pushed to the limit as father and son clash in a climate of political turmoil. Winner of the Special Jury Award at the 2009 Shanghai International Film Festival.

In Chengdu, China, a retired female opera singer named Master Chang takes in a trio of young tenants into her boarding home. The tenants include a rock singer and a college student who has run away from home.

Zong is a tow truck driver. He makes a living by towing away cars parked in the prohibited areas everyday. However, he feels his work is full of complaints made by the car owners. Lian, an art teacher, has a gift to see the distinct things in this chaotic world. She always feels guilty for her occasional illegal parking. One day, Lian and Zong encounter each other, and Lian's pure and simplicity turns Zong’s “emotion switch” on...

Lord of Shanghai (Chinese: 上海王) is a 2016 Chinese action film co-written, produced and directed by Sherwood Hu and stars Hu Jun, Yu Nan, Rhydian Vaughan, and Qin Hao.[1] The film is an adaptation of Hong Ying's novel of the same name.[2] It picks up the story of three generations of the Lord of Shanghai and their love story of the legendary woman Xiao Yuegui.

A cute coed leaves her mother's home and gets involved with a pastry chef who has links to the local criminal element.

He Man awakes from a coma thinking that she’s still on her honeymoon with her husband Xie Yu, but she gets a rude shock: there’s a five-year gap in her memory, and during that time the couple has divorced. Confused and desperate to figure out how their marriage crumbled, He Man seeks out her ex-husband and her ex-best-friend for answers.

A letter with no receiver, connected two lonely souls from different ages and different countries. 9 years old Kageyama Kota from Japan wrote a letter to “Dear Mr. X” in school writing class, which was sent out by his mischievous classmates. To his surprise, “Dear Mr. X” wrote back.

A lowly brothel maid captures the attention of Shanghai triad leaders, pulling her into a brutal war where she learns to rise above the odds in order to survive.

A Japanese girl (Kato Youki) is on a three month visit in Taiwan after breaking up with her boyfriend to study Chinese at a language center. One day she has a brief affair with Wu and later he requests her to sign a contract to be his girlfriend for 90 days and she agrees. One of the condition of the contract is they must get separated after 90 days. However, after getting know each other quite well, both find that the relationship seems to be true love and both are unwilling to break the contract agreement as the dateline approaches. What is the outcome of their love story in the end?

Mr. Zhu teaches in an elementary school. He is not very smart but always tries to remain his integrity. His care and affection for students are not appreciated by all. Fellow teachers also complain about his innovative ways to inspire students. Two problematic students, King Kong and Grasshopper are headache to Mr. Zhu. Their mischievous behavior results in Zhu's humiliation and frustration. He resigns. Now it's the task for the students to win him back...

1997 documentary, part of the Taiwan-produced series "Personal Memoir of Hong Kong", is both a self-portrait and a depiction of Hong Kong during the 40 years preceding the handover by the United Kingdom to China.

Chen Chuan (Francis Ng) is a simple man who seems to be cursed with bad luck all the time. Convinced by a blind fortune teller that he must eliminate the "villain" that is bringing him the ills, Chen vows to kill the person responsible for his misfortunes. But he soon has second thoughts when he suspect that the "villain" is none other than his own wife.

A personal memoir reflecting upon director Stanley Kwan's career and identity, set upon the backdrop of the 1997 handover of Hong Kong. Kwan adopts a complicated cinematic structure which includes excerpts from his previous films, his '97 stage play, and the soundtrack to Wong Kar-wai's "Days of Being Wild."