Rémi Waterhouse

To get royal backing on a needed drainage project, a poor French lord must learn to play the delicate games of wit at court at Versailles.

Directed by Rémi Waterhouse, Mille Millièmes is centered around an eccentric ensemble of apartment residents. Kindness is noticeably absent among their quarters, as demonstrated by a dating pair of neighbors whose request to have their apartments connected was flatly denied. To make matters worse, beggars gathering at a charity event are cruelly tormented by various tenants during the Christmas season. Last but not least is the Portuguese concierge whose services are in danger of being replaced by a more cost-effective alternative, and a widow whose recent loss earns her no sympathy from the rent-demanding landlords.

Marie Madeleine Dreux, Marquise of Brinvilliers, was executed in 1676 for poisoning. Manipulated by her lover and having kept the aftereffects of her childhood, she does not hesitate to poison her father and two brothers to recover their inheritance.

Marie is a young woman recently released from prison on drug charges. As a condition of her release, she joins a theatrical troupe composed of young delinquents, and at the same time faces a difficult journey of reintegration into society and strives to rebuild her life.

Nicole, nurse in Grenoble, is raped one night by four men. Deeply scarred, emotionally and physically, she thinks she will never recover from the trauma. Following a friend's advice, she decides to file a lawsuit.

Sauveur (Savior) needs someone to save him, and so he begins to look for his father, a fast- talking ladies' man. The son becomes attached to his misanthropic father, and soon a crippled woman photographer and a gigolo with a killer smile also enter the scene, and the situation becomes more and more impossible.

To get royal backing on a needed drainage project, a poor French lord must learn to play the delicate games of wit at court at Versailles.

Directed by Rémi Waterhouse, Mille Millièmes is centered around an eccentric ensemble of apartment residents. Kindness is noticeably absent among their quarters, as demonstrated by a dating pair of neighbors whose request to have their apartments connected was flatly denied. To make matters worse, beggars gathering at a charity event are cruelly tormented by various tenants during the Christmas season. Last but not least is the Portuguese concierge whose services are in danger of being replaced by a more cost-effective alternative, and a widow whose recent loss earns her no sympathy from the rent-demanding landlords.

Directed by Rémi Waterhouse, Mille Millièmes is centered around an eccentric ensemble of apartment residents. Kindness is noticeably absent among their quarters, as demonstrated by a dating pair of neighbors whose request to have their apartments connected was flatly denied. To make matters worse, beggars gathering at a charity event are cruelly tormented by various tenants during the Christmas season. Last but not least is the Portuguese concierge whose services are in danger of being replaced by a more cost-effective alternative, and a widow whose recent loss earns her no sympathy from the rent-demanding landlords.

Marie Madeleine Dreux, Marquise of Brinvilliers, was executed in 1676 for poisoning. Manipulated by her lover and having kept the aftereffects of her childhood, she does not hesitate to poison her father and two brothers to recover their inheritance.

Marie is a young woman recently released from prison on drug charges. As a condition of her release, she joins a theatrical troupe composed of young delinquents, and at the same time faces a difficult journey of reintegration into society and strives to rebuild her life.

Sauveur (Savior) needs someone to save him, and so he begins to look for his father, a fast- talking ladies' man. The son becomes attached to his misanthropic father, and soon a crippled woman photographer and a gigolo with a killer smile also enter the scene, and the situation becomes more and more impossible.

Sauveur (Savior) needs someone to save him, and so he begins to look for his father, a fast- talking ladies' man. The son becomes attached to his misanthropic father, and soon a crippled woman photographer and a gigolo with a killer smile also enter the scene, and the situation becomes more and more impossible.

There is nothing we can do against the call of love. Amiens, 1713. Des Grieux is a noble young student, wise for his years, who's preparing to become a knight of the Order of Malta. With a fine future as a teacher of rhetoric ahead of him, he meets a young commoner, Manon Lescaut, a candle maker's daughter. It's love at first sight.