Toa Fraser

Set in Edwardian England where upper lips are always stiff and men from the Colonies are not entirely to be trusted, Fisk Senior has little time or affection for his son, but when the pair visit an eccentric Indian, they start a strange journey that eventually allows the old man to find his heart.

London, England, April 1980. Six terrorists assault the Embassy of Iran and take hostages. For six days, tense negotiations are held while the authorities decide whether a military squad should intervene.

Hongi, a Maori chieftain’s teenage son, must avenge his father’s murder in order to bring peace and honour to the souls of his loved ones after his tribe is slaughtered through an act of treachery. Vastly outnumbered by a band of villains led by Wirepa, Hongi’s only hope is to pass through the feared and forbidden “Dead Lands” and forge an uneasy alliance with a mysterious warrior, a ruthless fighter who has ruled the area for years.

In 1860s New Zealand, a young Irish woman desperately trying to find her son finds herself caught on both sides of the lines during the wars between Māori tribes and the British colonial army.

A matriarch organizes a feast with her family, in which she will name her successor. The heart has gone out of Nanna Maria's family. There are no parties — they don't even fight anymore...

Ariana is in trouble with the law. Aided by a sympathetic social worker the young Māori woman defends herself against assault charges after a police raid on her home.

Set in Edwardian England where upper lips are always stiff and men from the Colonies are not entirely to be trusted, Fisk Senior has little time or affection for his son, but when the pair visit an eccentric Indian, they start a strange journey that eventually allows the old man to find his heart.

London, England, April 1980. Six terrorists assault the Embassy of Iran and take hostages. For six days, tense negotiations are held while the authorities decide whether a military squad should intervene.

Hongi, a Maori chieftain’s teenage son, must avenge his father’s murder in order to bring peace and honour to the souls of his loved ones after his tribe is slaughtered through an act of treachery. Vastly outnumbered by a band of villains led by Wirepa, Hongi’s only hope is to pass through the feared and forbidden “Dead Lands” and forge an uneasy alliance with a mysterious warrior, a ruthless fighter who has ruled the area for years.

In 1860s New Zealand, a young Irish woman desperately trying to find her son finds herself caught on both sides of the lines during the wars between Māori tribes and the British colonial army.

A matriarch organizes a feast with her family, in which she will name her successor. The heart has gone out of Nanna Maria's family. There are no parties — they don't even fight anymore...

A matriarch organizes a feast with her family, in which she will name her successor. The heart has gone out of Nanna Maria's family. There are no parties — they don't even fight anymore...

Ariana is in trouble with the law. Aided by a sympathetic social worker the young Māori woman defends herself against assault charges after a police raid on her home.

Freedom is defined as the power of self-determination attributed to the will; the quality of being independent of fate or necessity. To reach that level of liberty is a physical and mental endeavor that many will risk their life to obtain. Is life worth risking for the feeling of conquering fear and becoming free? Olympic Freestyle skier, Jossi Wells, meets extreme sports performing artists, The Flying Frenchies, to find out what it really means to be free and what drives individuals to chase such a powerful right. Directed by Toa Fraser, this is the story of men who push themselves to the point of no return. There is no going back when death is at your door and you realize that this is the most important moment of your life because it could be your very last.

GISELLE is acclaimed director Toa Fraser's inter­pretation of the Royal New Zealand Ballet's production of Giselle. The classic story of love, erotism and death has been reinterpreted by Fraser to include both the on stage performance of the ballet, and an off-stage romance – interwoven with the ballet – that tells of two itinerant dancers, separated by time, distance and their abiding love for each other.

GISELLE is acclaimed director Toa Fraser's inter­pretation of the Royal New Zealand Ballet's production of Giselle. The classic story of love, erotism and death has been reinterpreted by Fraser to include both the on stage performance of the ballet, and an off-stage romance – interwoven with the ballet – that tells of two itinerant dancers, separated by time, distance and their abiding love for each other.