Mario Mentrup

Prüfstand VII is a 2002 German docudrama film directed by Robert Bramkamp, about the V2 rocket and the rocket research in the Peenemünde Army Research Center. The film deals with the history of ideas surrounding the rocket research and the conquest of space, with Bianca as the spirit of the rocket guiding the viewer around different aspects of rocket research. It is partly inspired by Thomas Pynchon's novel Gravity's Rainbow and features dramatization of some selected scenes from the novel.

Two sex workers meet in a Berlin brothel. In a place where the female body is a commodity, they experience moments of happiness. A feisty love story about attraction, fears and self-determination.

Day in, day out, Niklas ‘Nick’ Tschiller and his partner Yalcin Gümer investigate crimes that are happening in Hamburg. But at some point even the policeman needs a break to spend time with his daughter Lenny. Then it says: Tschiller a.D. - out of service - goodbye to Hamburg. However, simply relaxing is easier said than done, because crime never sleeps and a new, very personal case throws a spanner in the works for Nick's plans for a well-deserved break. Even on vacation, the criminal investigator is not sure about his job and so a wild journey soon takes him across Europe, including to Istanbul and Moscow.

Gudrun has modeled her amateur German terrorist group after the 1970s Red Army Faction (Baader-Meinhof Gang). She attempts to imitate her heroes by kidnapping the son of a wealthy industrialist and hopes to negotiate leftist demands from the father. When Gudrun’s not spouting leftist verses (including during a hilariously brilliant fuck session), she’s trying to convince her all-male gang to abandon their heterosexuality, which she believes is the result of mass delusion.

Two friends are making music and other stuff.

No synopsis available yet.

No synopsis available yet.

Two guys plan a bank robbery.

Two young women kidnap the manager of the German telephone provider and start making strange demands while getting to know their captive a little better

Portraits of students of Berlin Film School.

Duck and Bear are looking for a little bottle containing a mysterious green liquid across constantly shifting realities. The film is a narrative experiment in which twelve animators were passing the film between each other to add sequences of their own.

Berlin, A Polterabend (i.e. a party on the eve of a marriage) is taking place in a café. An American has persuaded his German friend to marry him, after just one month of knowing each other. But while Anke has decided to create a family for her and her baby, Bruce has reservations. The party's member consist of various immigrants that happened to be there, each with his own problems and Anke's mother who objects to the marriage and is expelled by her own daughter.

Three women stage scenes for a philosophical film they are shooting.

“Kerstin” is driven by the opinions and expectations of her coaches and colleagues. Through various rehearsals, theoretical considerations and intensive coaching-practices, some more, some less successful, she springs from one island to the next, to play “Irena”, the female protagonist in the film “Cat People”.

A man and a woman visit a sea.

A drama set during the failed coup against President Mikhail Gorbachev.

A model family's happy life unexpectedly goes off the rails when the carefree Hedi, played by Laura Tonke, suddenly starts having panic attacks. First mental illness and then drug dependency – the happiness that these happy-go-lucky thirty-somethings once took for granted suddenly seems unattainable, and their world fragile and uncertain.

A man and woman try to live a relationship that only involves sex but no feelings. An experiment that fails.

Self-proclaimed directing talent Cowboy comes to Berlin with the aim of finally making a big movie. He confidently accepts every assignment, only for it to lead to disaster. When Cowboy meets the artist Yps and shoots an art porn film with her, he stirs up an artistic can of worms that far exceeds his amateurish qualities.

Circus clown Jonathan loses his job and meets the desperate hooker Olga, trapped in an aggressive environment. The pair spend the night together in a hotel room, where they look back melancholically on their lives, as well as on the changes in Europe over the past twenty years. After a confrontation with Olga's pimps, the couple is introduced to the dark side of the new Europe.

Berlin in the 3rd millenium. Rather by chance Kai Starel gets into the newly founded CC Institute "Carl Celler Culture", where hip creative minds buzz around in bleak spaces and think about company logos with animals. This brings up art, campaigns or something inbetween - and a liaison between the designer queen Rena Yazka (Sabine Timoteo) and Kai, who becomes her model.

After five years in prison, Ellen is ‘’out’’ and ready to come to terms with her past. She begins by looking for Katrin, who was present the night of the crime. Hearing Katrin’s voice on the radio and learning that she is a DJ at a local nightclub, Ellen decides to go and wait for her at the door. At first, Katrin is frightened and does not want anything to do with Ellen. However Ellen persists. Flashbacks fill in the history of Katrin’s relationship with an abusive husband and her intimate relationship with Ellen. It soon becomes clear that Ellen’s devotion for Katrin is no less potent than before. Gradually Katrin yields to Ellen’s wishes. Before long, past events catch up with them an unexpected sting in the tail reveals a major twist.

The film revolves around the development of the women's movement. Actors come together on stage and debate topics such as feminism, sexuality, gender performances, power structures, and activism, commenting on their own words. The film also provides insights behind the scenes and creates a fluid transition between the past and the present.

No synopsis available yet.

“Kerstin” is driven by the opinions and expectations of her coaches and colleagues. Through various rehearsals, theoretical considerations and intensive coaching-practices, some more, some less successful, she springs from one island to the next, to play “Irena”, the female protagonist in the film “Cat People”.

A man and a woman are robbed, several people are after the money.

A man and a woman are robbed, several people are after the money.

February, 2009, a bitter cold night at Berlin's Alexanderplatz. A cinematic melange of poetic agitprop, shades of Expressionism, and inner-city longing and insomnia. Orchestrated with a soundtrack by Tarwater. “There is no freedom for the enemies of freedom”. Agitprop poetry recited by an actor in a sound studio. Three people wandering Berlin Alexanderplatz at night.