Jan Nowicki

A talented boy from the block dreams of making an album together with complete members of a hip-hop band. It's not easy for him. An alcoholic father, taking care of his younger sister and lack of perspective is his everyday life.

The lives of urbanites intertwine in a world where anything can happen at any time.

In 1776 Vienna, imperial counselor Henryk Klein investigates allegations that the charismatic Jewish nobleman Jakub Frank is a fraud whose sect has ruined Galician Jew Jakub Goliński’s family and fortunes. As Klein’s inquiry uncovers Frank’s secret militia, escalating influence, and suspected treason against Empress Maria Theresa’s court, he must decide how far to expose the messianic impostor without igniting sectarian unrest.

As a son deals with his own struggles, he must calm his father's obsession with fishing before his outlandish behavior ruins the entire family.

The plot is a series of unfortunate events happening to unremarkable characters. The father of the main character, Sigismund, unexpectedly decides to marry an unknown, mysterious woman. Shortly after this event, he loses all his money, and his son, Andrew, decides to get it back by abducting a suspicious girl, with whom he immediately falls in love. In addition, Sigismund has to face his wife's relentless admirer, and the whole, already tense enough family situation is complicated by the affair of his adult daughter. In addition, the plot is enriched by Jan Frycz in the role of a doctor who is not indifferent to the charms of his sexy nurse, an attractive student with a head full of crazy ideas, the head of a gas station, whose refueling has become a habit, as well as many unusual characters.

As Poland is placed under martial law in 1981, two confidence tricksters try to evade both the police and the army. They become embroiled in a web of schemes engineered by the secret service, fellow criminals and the democratic resistance.

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

Polish-born Russian subject Cezary Baryka comes of age during a tumultous period of ten years from 1914 to 1924, during which he witnesses revolution, rebirth of Poland, war with the Soviets and communist plots.

Thirty-year-old nurse Teresa spends her days caring for elderly, dying people. Janusz, a young man she met at an amusement park, enters the life of this bitter and disillusioned woman. Teresa doesn't have the courage to tell him how she feels, and he also has trouble expressing his emotions. They are helped by Julka, a girl from the neighborhood who likes Teresa. She finds a pile of love letters from the beginning of the century in the trash. By forging Teresa and Janusz's handwriting, she starts a love correspondence between them, rewriting fragments of other people's confessions.

The film tells about mainly three people - Max, a bored, smart, poor University Professor of Philosophy; Ramzes, a mafia leader, cool, strong, merciless bully and Stella, Ramzes girlfriend.

A sophisticated conman starts a foundation helping the victims of drunk drivers. In reality, all the money goes to his own pocket.

The movie is inspired by writer-director Márta Mészáros' own childhood. The film is a grim reminder of horrible days under Stalinist period when several innocent people were persecuted for no fault. A good film which allow people to know how people in Europe were tortured before second world war by dictators and authoritarian regimes.

The story of male friendship, vitality and the joy of living, even after turning 60 years old. When one of the three friends is taken to hospital, the others are there for him.

A classic of cinema with a twist, that is, the story of how to intelligently empty the casino safe where the gambling underworld launders government money. The young team, which can't miss a trusted butler, an experienced gambler, an attractive thief and a powerful, though not always brilliant donkey, will follow in the footsteps of the aged legends of the criminal film world. And although there will be a number of unexpected obstacles and surprises along the way, the old team will help the new crooks realize the scam of all time. The gallant Kwinto will pave the way for the thieves to get into the safe, and the reliable Big Shoo will give the roulette specialist an accelerated course in poker.

In this mixture of fiction and documentary Krzysztof Zanussi invites a number of Poland’s great actors—Maja Komorowowska, Daniel Olbrychski, and Jan Nowicki—to "revisit" characters they played in the director's earlier works.

This story follows a young student, who is orphaned as she grows to adulthood in the shadow of the 1956 Hungarian uprising. Coming from the Communist intelligentsia, she sees her friends and family react differently. Her lover, a married factory manager, supports the patriots and later assists fellow workers in staging a strike. Meanwhile her sister and others express anger at being forced from their homes during the revolution and continue to express a hatred for the rebels afterwards. But in the end they realize that for all people, real life is not possible after the revolt and its brutal suppression by the Soviets and their collaborators.

The second part of a story about young people entering adulthood in the harsh reality of predatory capitalism. The action takes place in 1994, a few months before the events of the first part.

Two friends recall the PRL. After serving time in jail, they took up an illegal currency exchange. Cheated by partner - they decide to take revenge. Preparations take many months, but the action ends differently than it was planned.

Maidens and Widows is an epic tale of a hundred years of Polish history from the perspective of women, the titular maidens and widows. Set against the backdrop of turbulent historical events.

A documentary about Hungarian prisoners of war in the World War II

A story of a mother who had to change her profession from a teacher to a high class prostitute to make a living.

The year is 1989, and the country's first free elections in a long time are approaching. A man in a cycling cap organizes a chain of clean hands, using it as a tool in his election campaign. In the queue outside the passport office, people chat, make plans, and ponder what's worth selling abroad. Writers observe the world around them. One of them is applying for a passport. In Dzierżyński Square, the monument to Feliks Edmundowicz is being dismantled. Two drunk men sleep on a bench, and behind them is a sign reading: "All is well." The two writers observe the ongoing transformation of the political system.

No synopsis available yet.

The end of the 70s of the last century. A team of surveyors goes to a small provincial town. Magister ( Jan Nowicki ) and the experts accompanying him plan to build a new road in the vicinity. The geodesists' projects arouse the indignation of one of the local farmers, Biernacki ( Wiesław Gołas ). The envisaged route is to run through the land belonging to it. To save his patrimony, Biernacki is ready to pay a bribe. The dispute between the host and the surveyors is cruelly resolved in front of the party dignitaries participating in the nearby banquet. Jerzy Gruza's painting is a sharp satire of manners, criticizing social relations from the end of the Gierek era.

The film depicts the momentous and tragic history of the Poznan uprising of 1956. The memory of the director, who was a nine-year-old boy at the time, is the only canvass of the script. The main characters of the black-and-white film are two boys aged ten and twelve. From their perspective, the viewer follows the development of events. From the depths of the gates, through the rails of fences and cluttered backyards, through the eyes of the children we watch the street riots. The film, without action in the literal sense of the word, was made using a reportage technique that perfectly captures the spontaneity of the Poznan uprising. Among other things, the author of the picture depicts the adventures of a young worker Zenek, who becomes the unwitting leader of the protest, and five professors, who by chance find themselves in the very center of events.

Scope is a prisoner on a behemoth space station and is chosen, like all his fellow prisoners, to 'volunteer' for the exploration of far-away planets. Landing on planet Australia 458, he is given a hero's welcome with all the sex, booze, and violence that any one man can stomach. But as his new caretakers push him towards even more heinous and deplorable acts, Scope finds that his freedom comes with a high price; his own violent demise, broadcast live for the viewing pleasure of Australia 458's inhabitants.

During the rising of nazism, Sylvia, a rich but sterile woman, needs an heir to inherit her father's money. So she bribes Irene, a Jewish girl, to have a child by her husband.

After having lost her parents, young Juli returns from the Soviet Union to her native Budapest. Scarred by the wounds of the past, the ghost of Stalin’s oppression haunts her as she reunites with her aunt and adoptive mother Magda.

The world has been ravaged by nuclear war. The planet is frozen and radiation kills anyone or anything that ventures outside of 'The Dome'. Soft is a shepherd for the last remnants of humanity who have gathered together as they await rescue from a mysterious craft known only as 'The Ark.' He wanders among the masses, performing his regular daily tasks; keeping morale from plummeting, wooing prostitutes, squashing rebellions, and sometimes feeding the hungry. But as the true and sinister nature of 'The Dome' comes to light, Soft must ask himself if humanity is worth saving...

A continuation of "Diary for My Children," the film picks up in 1950, when Juli, the diarist, is 18 and determined to become a movie director.

In the first half of the fifties Júlia, the weaver meets engineer Szél on a visit with "educative" purpose, who raises his three children alone in a mighty villa. Júlia is willing to take care of the adolescent children and she moves in to the villa. She falls in love with the man but he is not able to express true, deep feelings.

Poet-filmmaker Jørgen Leth taps his own earliest inspirational veins by free-floating through a camera/microscope-enhanced set of poems with love as their first and final subject. For example, how a tropical island woman prepares for a meeting with her lover. The film was shot partly in the South Pacific with more than a nod to social anthropoliogist B. Malinowski's historical work The Sexual Life of Savages.

The law student Caroline and the assistant professor Tom are husband and wife, but they keep their marriage a secret. While Caroline is afraid of annoying her mother Hella who ever since her divorce twenty years ago distrusts men in general, Tom dreads the criticism of his professor, a family law specialist who objects to the concept of marriage. By chance, Caroline gets hold of some juicy information: Her mother and the professor used to be a couple and she is their child. With almost missionary zeal she addresses herself to the task of convincing the two grown-ups to get back together. In the process, however, she steers both her academic studies and her own marriage into a crisis.

On the eve of the Day of the Dead, among mysterious old rituals of the Vilnius region, ghosts of the past and present start to appear.

Fanny lives in the forest with her meteorologist mother. One day on her way across the forest to visit her grandmother and great grandmother, she has three encounters that will change her life forever: an apparently kind and gentle wolf, a city boy and an ornithologist who bears a striking resemblance to the father who long ago abandoned her and her mother.

Pernat finds himself in a police interrogation, accused of a murder, and unable to recall any details of the crime, or even his own life. He's released back into a world of raving lunatics and deranged dentists, murderous doctors and scientists who believe the secret of human creation is inside the walls of a cast-iron oven.

Coming of age story of four girls living in the same poor district of Warsaw just before the outbreak of World War One.

The eponymous Zygfryd is a reclusive young circus acrobat. Professor Drawicz is overwhelmed by Zygfryd's circus act and tries to make the world of art accessible to him — with tragic consequences.

Young artist arrives at Zakopane and meets local people.

Fresh out of prison, a seasoned poker hustler finds himself teaching the trade to a young cab driver chasing his first big win.

Officer Karikas from Petersburg should be in Saratov with her servant,in the way he played cards and losing much,even to stuck in the hotel.Local officials took him for anticipated auditor.With this error starting a chain of events.

Young Poland period in Kraków before WWI. Young doctor Edward comes back from Paris and meets his friends belonging to artistic bohema.

Set during the Nazi occupation of Poland, the story follows Michał, who witnesses the murder of his mother, wife and child and then is hurled into a life that is not his own; a surreal world littered with trapdoors, doppelgängers and wormholes.

Jozef visits a dilapidated Sanatorium to see his father. Jozef undertakes a strange journey through the many rooms of the sanatorium, each which conjures worlds composed of his memories, dreams and nightmares.

Looking for a safe place to live after being harassed by her husband, a depressive and violent man, Juli stays at a women's shelter run by Mária.

Television play adaptation of Wajda's stage play of Stanisław Wyspiański's November Night. The drama takes place on two levels - historical and metaphorical. The first one is almost a chronicle of several hours of the uprising - it shows the drama of the attitudes of Poles at the beginning of the armed struggle, in confrontation with the attitude of Grand Duke Constantine, the Tsar's deputy in Poland. The second one presents the world of gods playing out their arguments. Man becomes a plaything in their hands, but it is he who experiences his fear, heroism and hope.

Set before the first World War in part of Poland under Austrian occupation, the story of a young boy in primary school who later grows up to become a rebellious, poetic-minded teen in the same school when the national movement toward liberation is under way. The story of a country where church and state work together to suppress the human spirit.

A young industrial designer named Wit reluctantly returns to his family home to look after his gravely ill father. Upon entering the dark confines of a house he has not visited in six years, Wit once again finds himself exposed to the idiosyncratic pathologies of his father, sister, and aunt.

A family saga of Barbara Ostrzeńska-Niechcic and Bogumił Niechcic against the backdrop of the January Uprising of 1863 and World War I. The film is a rather straightforward and faithful adaptation of a novel by Maria Dabrowska with the same title. The plot is woven around the changing fortunes of a noble (upper-class) Niechcic family in the pre-WWI Poland. There are two main crossing threads: a social history one and an existential one.

Returning from Rome, Warsaw writer Wacław Kisielecki's car breaks down late one evening on a country road, forcing him and his chauffeur, Konstanty, to seek lodging at a nearby manor house. Its owner is a young man, Jan, who has been managing the dilapidated estate since his mother's death. All that remains of the former estate are the manor house, a vast orchard, and two servants: Stanisław, the caretaker, and his beautiful young wife, Faustyna, who runs Jan's household.

On his return from America, András simply cannot find his place: he has lost his wife, friends and job, and he cannot even find his way back to his former great love. Eventually, as a surrogate father, he takes in a wild young girl (Zsuzsa Czinkóczi) and a particularly strong bond is formed between these two rootless people. Márta Mészáros’s remarkable movie starring Jan Nowicki and Anna Karina is about displacement, loneliness and attachment.

A film adaptation of six short stories by Marek Nowakowski from the collection Mizerykordia.

Barbara is a forty-year-old woman of Polish origin living in Budapest. She is a biologist, a wife and a mother. The death of her woman friend opens her eyes to the fact that she is lonely, unable to find her place.

In what appears to be an inexplicable incident, a man drives up to a resort hotel in midwinter, throws away his car keys, enters, and proceeds to agitate everyone he meets with his urgency -- a message he is somehow unable to communicate. Then he leaves, disappearing in the snow. Later, the people he appeared to have upset have gathered to search for him and find him frostbitten, but alive. Visiting him at the sanatorium to which he has been taken, they gradually discover what was really happening.

Juli, who works in a brick factory, begins a romantic relationship with her boss, to whom she hides the fact that she has a son.

In 1668 Polish colonel Michał Wołodyjowski, who recently retired to a monastery, is recalled to active duty and takes charge of Poland's eastern frontier defenses against invading Tatar hordes and Ottoman armies.

Set in the time of Napoleon wars, shows how the wars swept over the unfortunate Polish country at the beginning of the XIX-th century. Story revolves around the Polish legion under command of General Dabrowski, who then fought on Napoleon's side with the hopes of Poland's revival.

Freed Polish soldiers are trapped in a small town in Germany during the last days of World War II. After a doctor's daughter is raped by a concentration camp worker, the Poles allow her and her father to stay in the house that is their temporary quarters. While waiting to be repatriated, the war-weary group is forced to fight some German soldiers who invade the town. The war brings out conflicting emotions of the Poles who find themselves trapped in the house and once again under fire from the enemy.

A dream-like meditation on post-industrial life in Communist Poland.

A couple plans to spend a New Years Eve in a friend's empty apartment.