
Editing
Margaret Booth
Born — Died
1898-01-16 — 2002-10-28
Place of birth
Los Angeles, California, USA
Known for
Editing
Credits
5 titles
Margaret Booth (January 16, 1898 – October 28, 2002) was an American film editor. Born in Los Angeles, she started her Hollywood career as a 'patcher', editing films by D. W. Griffith, around 1915. Her brother was actor Elmer Booth. Later she worked for Louis B. Mayer when he was an independent film producer. When Mayer merged with others to form Metro-Goldwyn-Mayer in 1924, she worked as a director's assistant with that company. She edited several films starring Greta Garbo, including Camille (1936). Booth later edited such diverse films as Mutiny on the Bounty (1935, for which she was nominated for an Academy Award). A few films associated with her are Wise Girls (1929), A Yank at Oxford…
Known for
7.4Fletcher Christian successfully leads a revolt against the ruthless Captain Bligh on the HMS Bounty. However, Bligh returns one year later, hell bent on revenge.
Mutiny on the Bounty
1935
7.9On April 24, 1924, the movies changed forever: The Metro-Goldwyn-Mayer studio opened and soon assembled “more stars than there are in the heavens.” Patrick Stewart hosts this enthralling Emmy® winner as Outstanding Informational Series, a three-part story of M-G-M’s reign as Hollywood’s class act and legendary entertainment empire. Bursting with memorable film clips, rare interviews, behind-the-scenes footage and insider info, this is a mother lode for film fans, profiling perfectionist moguls, glamorous and charismatic actors, innovative filmmakers and landmark movies.
MGM: When the Lion Roars
1992
7.1The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.
The Women Who Run Hollywood
2016
6.5Using rare footage and exclusive interviews with filmmakers from all over the globe, "Reel Herstory" corrects the historic notion that women behind the scenes in motion pictures held peripheral careers compared with their male counterparts.
Reel Herstory: The Real Story of Reel Women
2014
NRFilm editing initially began as a woman's art in France. As veteran film editor, Dede Allen, tell it, "They thought that women were good at little details, like sewing." Before editing became a craft, women were the earliest technicians. Today, the long tradition of women editors carries on.
Editors on Editing
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Film credits
2010s · 2 titles
7.1The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.
The Women Who Run Hollywood
2016
6.5Using rare footage and exclusive interviews with filmmakers from all over the globe, "Reel Herstory" corrects the historic notion that women behind the scenes in motion pictures held peripheral careers compared with their male counterparts.
Reel Herstory: The Real Story of Reel Women
2014
