George Dunning

The wicked Blue Meanies take over Pepperland, eliminating all color and music. As the only survivor, the Lord Admiral escapes in the yellow submarine and journeys to Liverpool to enlist the help of the Beatles.

Camera Three is an American variety show devoted to the arts. It ran on CBS from January 22, 1956 to January 21, 1979, and moved to PBS in its final year to make way for the then-new CBS News Sunday Morning. The PBS version ran from October 4, 1979 to July 10, 1980. Camera Three featured programs showcasing drama, ballet, art, music, anything involving fine arts. One of its most notable presentations was a condensation of Marc Blitzstein's leftist opera The Cradle Will Rock. Presented on November 29, 1964, it was a dramatic demonstration of how far television had come since its early days, in its willingness to present a work that surely would have been banned from the airwaves during the era of Joseph McCarthy.

Short documentary on the making of 'Yellow Submarine'

The story of the settlement of Canada, illustrated with cheerful animated cartoons. The arrival of Jacques Cartier, the fishing and fur trades which followed, and the rival colonization by the French and British, climaxed by the battle of the Plains of Abraham, are depicted. The coming of the United Empire Loyalists is seen; then the west-coast gold rush and the completion of the transcontinental railway. New branches were added to the family tree when many European settlers came to fill the great spaces of the Prairies. Finally, we see the whole country matured into a nation, its traditions enriched by those of many peoples.

Cartoon: a man takes off his shoes and climbs into a wardrobe, Another man appears, tries to communicate, and finally steps into a wardrobe; noises; the first man climbs out wearing another pair of shoes, leaving the second man with the old pair.

A man's repeated attempts to retrieve an apple off a high tree branch all prove fruitless. What does he want the apple for? That would be telling.

Camera Three is an American variety show devoted to the arts. It ran on CBS from January 22, 1956 to January 21, 1979, and moved to PBS in its final year to make way for the then-new CBS News Sunday Morning. The PBS version ran from October 4, 1979 to July 10, 1980. Camera Three featured programs showcasing drama, ballet, art, music, anything involving fine arts. One of its most notable presentations was a condensation of Marc Blitzstein's leftist opera The Cradle Will Rock. Presented on November 29, 1964, it was a dramatic demonstration of how far television had come since its early days, in its willingness to present a work that surely would have been banned from the airwaves during the era of Joseph McCarthy.

The wicked Blue Meanies take over Pepperland, eliminating all color and music. As the only survivor, the Lord Admiral escapes in the yellow submarine and journeys to Liverpool to enlist the help of the Beatles.

The story of the settlement of Canada, illustrated with cheerful animated cartoons. The arrival of Jacques Cartier, the fishing and fur trades which followed, and the rival colonization by the French and British, climaxed by the battle of the Plains of Abraham, are depicted. The coming of the United Empire Loyalists is seen; then the west-coast gold rush and the completion of the transcontinental railway. New branches were added to the family tree when many European settlers came to fill the great spaces of the Prairies. Finally, we see the whole country matured into a nation, its traditions enriched by those of many peoples.

Cartoon: a man takes off his shoes and climbs into a wardrobe, Another man appears, tries to communicate, and finally steps into a wardrobe; noises; the first man climbs out wearing another pair of shoes, leaving the second man with the old pair.

Cartoon: a man takes off his shoes and climbs into a wardrobe, Another man appears, tries to communicate, and finally steps into a wardrobe; noises; the first man climbs out wearing another pair of shoes, leaving the second man with the old pair.

A man's repeated attempts to retrieve an apple off a high tree branch all prove fruitless. What does he want the apple for? That would be telling.

Part of BFI's "National Coal Board Collection".

An animated short made for Ford.

The eternal human comedy in the free and lyrical manner of the author of "The Flying Man".

Charley has the knack of turning into any conceiv­able thing, and he does this all the time to keep his pet cat amused.

We illustrated "Filez, filez, ô mon navire" in charcoal and "J'ai tant dansé, j'ai tant sauté" with cartoons on celluloid plates, using Walt Disney's technique.

A man undresses and takes to flight, while another man and his dog witness him.

Thud and Blunder learn what not to do while in a coal mine.

We illustrated "Envoions d'l'avant nos gens" with a set of puppets dressed in local fabric and "Auprès de ma blonde" with gouache drawings.

Colourful puppets illustrate the old French song about Cadet Rousselle, who falls down a ladder, who trips on battlements, and whose dogs will not obey him. The animated figures carry our hero through his predicaments with colour and verve.

"Là-bas sur ces montagnes" was illustrated using photographed drawings presented in an old frame and "Meunier tu dors" with cut-out paper puppets with interchangeable limbs.

Anti-drug film set in Harlem.

A short film inspired by lateral thinking that sees an astronaut explore "the monsters of mass society and mass media."

A short film inspired by lateral thinking that sees an astronaut explore "the monsters of mass society and mass media."

Inspired by an Andrew Marvell poem, George Dunning sketched short phrases of animated movement on index cards, which were then stuck to a table top and filmed. Animation bared to the bone, and still extraordinary.

Inspired by an Andrew Marvell poem, George Dunning sketched short phrases of animated movement on index cards, which were then stuck to a table top and filmed. Animation bared to the bone, and still extraordinary.

An animated safety film adapts the nursery rhyme "Three Blind Mice" into a song where the mice are factory workers who disregard safety rules and wind up injuring themselves.

A humorous depiction of farm animals' need for proper fodder, Grim Pastures shows a horse and a cow both racing for the same bit of grass. The distracted beasts end up with sandwich boards with slogans imploring farmers to raise more fodder.

This triple screen animated short was one of the films screened at the revolving theatre in the Canadian Pavilion at Expo 67. This was later shown at the Odeon Theatre, Leicester Square in London. The theatre's projectors had to be unbolted from the floor and moved to properly screen the film. The Canadian Pavilion at HemisFair '68, in San Antonio, Texas, also featured this film. It presents Canada’s English, Scottish and French colonial settler heritages, but notably excludes any Indigenous participation in the formation of the nation. Each identity is enacted through an upright piano engaged in a discordant, dueling piano cacophony.

This triple screen animated short was one of the films screened at the revolving theatre in the Canadian Pavilion at Expo 67. This was later shown at the Odeon Theatre, Leicester Square in London. The theatre's projectors had to be unbolted from the floor and moved to properly screen the film. The Canadian Pavilion at HemisFair '68, in San Antonio, Texas, also featured this film. It presents Canada’s English, Scottish and French colonial settler heritages, but notably excludes any Indigenous participation in the formation of the nation. Each identity is enacted through an upright piano engaged in a discordant, dueling piano cacophony.

This triple screen animated short was one of the films screened at the revolving theatre in the Canadian Pavilion at Expo 67. This was later shown at the Odeon Theatre, Leicester Square in London. The theatre's projectors had to be unbolted from the floor and moved to properly screen the film. The Canadian Pavilion at HemisFair '68, in San Antonio, Texas, also featured this film. It presents Canada’s English, Scottish and French colonial settler heritages, but notably excludes any Indigenous participation in the formation of the nation. Each identity is enacted through an upright piano engaged in a discordant, dueling piano cacophony.