Tony Aboyantz

Cruchot's police office moves into a new building. They do not only get high tech equipment, but also four young female police officers to educate. All of them scramble to work with them -- and cause pure chaos while being distracted by the fine ladies. Then they get into real trouble when one after the other of their female colleagues is kidnapped.

Employees remember the director Max Ophüls, who was forced to emigrate in 1933 - his fifth film "Liebelei" was a great success in cinemas. After an odyssey through France, Italy, the Netherlands and the USA, he returned to work in France and Germany in the 1950s. The film commemorates Ophüls, who died in 1957 at the age of 54, and uses a series of film examples to demonstrate his special way of directing.

In an archival interview filmed in 1989, Tony Aboyantz discusses his work on Max Ophuls' 1952 film LE PLAISIR.

Cruchot's police office moves into a new building. They do not only get high tech equipment, but also four young female police officers to educate. All of them scramble to work with them -- and cause pure chaos while being distracted by the fine ladies. Then they get into real trouble when one after the other of their female colleagues is kidnapped.