Jean Giono

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Presentation of Giono's book

World-renowned animated filmmaker Frédéric Back has devoted his unique talent to a cause that is central to his life and more topical than ever: a profound respect for nature coupled with a keen sense of humanity's responsibility toward the environment. Abracadabra (9 min., 1971). Inon, ou, La conquête du feu (10 min., 1972). La création des oiseaux (10 min., 1973). Illusion? (11 min., 1976) Taratata! (9 min., 1977) Suppléments

In this 12-minute short, Jean Giono's voice recalls the arrival of cholera in Provence. During this pandemic, which hit France in 1832, a peddler character travels under an umbrella, spreading the epidemic by trading in pieces of silk fabric imported from Smyrna.

The story of one shepherd's single-handed quest to re-forest a desolate valley in the foothills of the French Alps throughout the first half of the 20th century.

Jules is a shepherd who lives a humble and solitary life in rural Provence. From time to time, he is visited by a lonely widow, Fine, who longs to be his wife. One day, Jules comes across an unexploded bomb lying on the ground in open countryside. After a few foolhardy attempts to set the bomb off, Jules makes a surprising discovery. It is filled with thousands of bank notes…

Jules is a shepherd who lives a humble and solitary life in rural Provence. From time to time, he is visited by a lonely widow, Fine, who longs to be his wife. One day, Jules comes across an unexploded bomb lying on the ground in open countryside. After a few foolhardy attempts to set the bomb off, Jules makes a surprising discovery. It is filled with thousands of bank notes…

The heroine in L'Eau Vive is the unwilling heir to a fortune. Young Hortense (Pascale Audret) has always known that her family was greedy, but until she inherits her father's hidden millions she has no idea how loathsome her relatives could be. Surrounded on all sides by grubby, outstretched hands, Hortense takes some comfort in the fact that her legacy is still missing. When the money is finally recovered, our heroine does the "right thing" with her windfall, leaving her mercenary family empty-handed. Throughout the film, Hortense's dilemma is likened to a government dam project not far from her home; as the bridge grows in size, so too does Hortense's resolve to rise above the nastiness all around her.

In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her 'work' with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other, fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?

A policeman and a serial killer play cat and mouse in an isolated mountain village in Nineteenth century France. The second film directed by the man who played the admirable lead role in Robert Bresson's A Man Escaped is a stylized and intense adaptation of a novel by Jean Giono. This police investigation in a 19th century village combines visual beauty with the rigor of the mise-en-scène—the vertigo of the criminal motivations indivisible from the refined graphics of the images.

A policeman and a serial killer play cat and mouse in an isolated mountain village in Nineteenth century France. The second film directed by the man who played the admirable lead role in Robert Bresson's A Man Escaped is a stylized and intense adaptation of a novel by Jean Giono. This police investigation in a 19th century village combines visual beauty with the rigor of the mise-en-scène—the vertigo of the criminal motivations indivisible from the refined graphics of the images.