Mauri Sumén

The Leningrad Cowboys, a group of Siberian musicians, and their manager, travel to America seeking fame and fortune. As they cross the country, trying to get to a wedding in Mexico, they are followed by the village idiot, who wishes to join the band.

10 years after Total Balalaika Show (1994) Leningrad Cowboys and Red Army Chorus return to the Senate Square with UMO and various international performers.

Anna Kelanen is an ex-model, who just has been released from prison. She thinks back on her life, when she was a rather successful model, and on the things that went wrong.

Antti "Zombie" Autiomaa does two things well: play the bass guitar and drink. After several months' sleeping on the streets of Istanbul, he returns to Helsinki where he's called into the army but discharged on mental health grounds after adding turpentine to the officers' soup. Zombie lives bleary-eyed in an apartment off his parents' house where his lonely, unemployed father suffers from heart disease. His girl-friend Marjo has taken up with a hairdresser but comes back to Zombie. His friend Harri hires him as a roadie for his band "Harry and the Mulefukkers" then gives him a chance as a bass player. He has his girl and he has a gig, but can Zombie put the bottle down?

Two Finnish men agree to drive an Estonian woman and a Russian woman to a harbor.

After years of fame and misfortune in Mexico, the members of the Leningrad Cowboys decide to return to their native village. Their former manager Vladimir, who now calls himself Moses lead them on their way home.

A 57-minute documentary of a Helsinki concert featuring the Leningrad Cowboys and the Alexandrov Red Army Choir and Ballet, who collaborate on a number of US Rock songs sung in English (like "Sweet Home, Alabama") as well as more traditional Russian songs like the "Volga Boatman."