Nell Scovell

Writing

Nell Scovell

Born

1960-11-08 (65)

Place of birth

Newton, Massachusetts, USA

Known for

Writing

Credits

8 titles

Helen Vivian "Nell" Scovell is an American television and magazine writer, and producer. She is the creator of the television series Sabrina the Teenage Witch, which aired on ABC and The WB from 1996 until 2003 and co-author of the book Lean In.

Known for

No artwork available
NR

A criminal lawyer attempts to solve cases by hiring two two law school grads.

Criminology 101

2003

Honey, We Shrunk Ourselves poster
5.4

The joke's on absent-minded scientist Wayne Szalinski when his troublesome invention shrinks him, his brother and their wives so effectively that their children think they've completely disappeared. Of course, this gives the kids free rein to do anything they want, unaware that their parents are watching every move.

Honey, We Shrunk Ourselves

1997

Betrayals poster
3.0

Five former college roommates gather years later for an emotional reunion. Although their lives have taken different paths, they still feel a strong bond and each reveals a dark, personal secret.

Betrayals

2007

Hayley Wagner, Star poster
5.0

Having outgrown her role, a pampered child actor returns to her family and tries to be an ordinary youngster.

Hayley Wagner, Star

1999

Half the Picture poster
6.6

At a pivotal moment for gender equality in Hollywood, successful women directors talk about their art, lives and careers.

Half the Picture

2018

No artwork available
6.0

A pilot for a sketch comedy show. A single stationary camera was mounted inside the center of a large rotating platform. As the platform rotated around the camera, a scene would come into view of the camera. The wheel would stop and a sketch would play out in the scene, which was often framed by some piece of appropriate artwork or prop (for the purposes of forced perspective). At the end of the scene, the wheel would rotate, carrying one scene out of the camera's view and bringing another in, and a new sketch would begin in the new scene. Some scenes were self-contained on the platform, while others were open to the studio beyond the platform (and additional action would take place in the background).

The TV Wheel

1995

Film credits

Behind the camera

No artwork available
NR

A criminal lawyer attempts to solve cases by hiring two two law school grads.

Criminology 101

2003

Honey, We Shrunk Ourselves poster
5.4

The joke's on absent-minded scientist Wayne Szalinski when his troublesome invention shrinks him, his brother and their wives so effectively that their children think they've completely disappeared. Of course, this gives the kids free rein to do anything they want, unaware that their parents are watching every move.

Honey, We Shrunk Ourselves

1997

Betrayals poster
3.0

Five former college roommates gather years later for an emotional reunion. Although their lives have taken different paths, they still feel a strong bond and each reveals a dark, personal secret.

Betrayals

2007

Betrayals poster
3.0

Five former college roommates gather years later for an emotional reunion. Although their lives have taken different paths, they still feel a strong bond and each reveals a dark, personal secret.

Betrayals

2007

Hayley Wagner, Star poster
5.0

Having outgrown her role, a pampered child actor returns to her family and tries to be an ordinary youngster.

Hayley Wagner, Star

1999

Hayley Wagner, Star poster
5.0

Having outgrown her role, a pampered child actor returns to her family and tries to be an ordinary youngster.

Hayley Wagner, Star

1999

No artwork available
6.0

A pilot for a sketch comedy show. A single stationary camera was mounted inside the center of a large rotating platform. As the platform rotated around the camera, a scene would come into view of the camera. The wheel would stop and a sketch would play out in the scene, which was often framed by some piece of appropriate artwork or prop (for the purposes of forced perspective). At the end of the scene, the wheel would rotate, carrying one scene out of the camera's view and bringing another in, and a new sketch would begin in the new scene. Some scenes were self-contained on the platform, while others were open to the studio beyond the platform (and additional action would take place in the background).

The TV Wheel

1995