
Editing
Mark Yoshikawa
Mark Yoshikawa is known for The Hunger Games: The Ballad of Songbirds & Snakes (2023), The Tree of Life (2011) and Succession (2018).
Acting credits
7.2Documentary film about the making of The Hunger Games: Mockingjay Part 1. An impressively in depth assortment of seven featurettes that look at a variety of subjects, from casting to visual effects. - Hope and Rebellion: Continuing the Saga - Designing Dystopia: Visual Aesthetic - Rebels and Warriors: The Cast - Fusing Form and Function: Costume, Make-Up and Hair - Fighting the System: Shooting on Location - D13: Rebellion Tactics: Stunts and Special Effects - Perfecting Panem: The Post-Production Process
The Mockingjay Lives: The Making of the Hunger Games: Mockingjay Part 1
2015
A documentary on Terrence Malick and the making of his film "The Tree of Life."
Exploring 'The Tree of Life'
2011
Behind the camera
A solitary man walks home carrying briefcase and a bag of groceries. It's evening. Close to home, someone in a hurry bumps into him, trips, drops photographs and runs off. The man continues home, opens a bottle of wine, and looks across the quad to an apartment where a woman drinks a glass of wine. He smiles in her direction and then watches in alarm as a man enters her apartment, looks at photographs she has hanging about, grapples with her and knocks her down. Our man rushes toward her flat, seeing her assailant flee. He dashes into her apartment, but there's no body in sight, just photographs hanging to dry. He looks at them. What's going on?
Reflexus
1998
A solitary man walks home carrying briefcase and a bag of groceries. It's evening. Close to home, someone in a hurry bumps into him, trips, drops photographs and runs off. The man continues home, opens a bottle of wine, and looks across the quad to an apartment where a woman drinks a glass of wine. He smiles in her direction and then watches in alarm as a man enters her apartment, looks at photographs she has hanging about, grapples with her and knocks her down. Our man rushes toward her flat, seeing her assailant flee. He dashes into her apartment, but there's no body in sight, just photographs hanging to dry. He looks at them. What's going on?
Reflexus
1998
