Joe Bini

Burden of Other People’s Dreams is an attempt to cross the experience of reading a book with the experience of watching a film. Created by renowned film editor Joe Bini (Grizzly Man, All the Beauty and the Bloodshed, You Were Never Really Here), the piece explores the psychology of anonymity required in being an editor. Combining words and imagery, physical and digital media, it blurs the lines between fiction and non-fiction to tell a story about how stories are told.

With Herzog's direction, Richard Thompson leads a small group of musicians into creating Grizzly Man's evocative soundtrack.

Pat Tillman never thought of himself as a hero. His choice to leave a multimillion-dollar football contract and join the military wasn't done for any reason other than he felt it was the right thing to do. The fact that the military manipulated his tragic death in the line of duty into a propaganda tool is unfathomable and thoroughly explored in Amir Bar-Lev's riveting and enraging documentary.

Examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.

Burden of Other People’s Dreams is an attempt to cross the experience of reading a book with the experience of watching a film. Created by renowned film editor Joe Bini (Grizzly Man, All the Beauty and the Bloodshed, You Were Never Really Here), the piece explores the psychology of anonymity required in being an editor. Combining words and imagery, physical and digital media, it blurs the lines between fiction and non-fiction to tell a story about how stories are told.

Burden of Other People’s Dreams is an attempt to cross the experience of reading a book with the experience of watching a film. Created by renowned film editor Joe Bini (Grizzly Man, All the Beauty and the Bloodshed, You Were Never Really Here), the piece explores the psychology of anonymity required in being an editor. Combining words and imagery, physical and digital media, it blurs the lines between fiction and non-fiction to tell a story about how stories are told.

A surreal, abstract memoir of Joe Bini's life as a film editor and storyteller, presented as a live cinema experience for one audience member at a time.

A surreal, abstract memoir of Joe Bini's life as a film editor and storyteller, presented as a live cinema experience for one audience member at a time.

Filmmaker Sam Green, in collaboration with writer and editor Joe Bini, takes the stage with the legendary classical-music group Kronos Quartet to create a "live documentary" that chronologically unfolds the quartet's groundbreaking, continent-spanning, multi-decade career. Wildly creative and experimental in form, A Thousand Thoughts is a meditation on music itself-the act of listening closely to music, the experience of feeling music deeply, and the power that music has to change the world. Green narrates the piece live onstage while the Kronos Quartet performs the score, and a rich blend of archival footage, photos, and interviews with members of the Kronos Quartet – as well as longtime collaborators like Philip Glass, Laurie Anderson, Terry Riley, Tanya Tagaq, and Steve Reich – unspools on screen.

Joe Bini and Maya Daisy Hawke, both veteran editors, invite you into their home as they confront their own relationship catharsis. What ensues is a live cinematic dialogue that uses personal videos, photographs, and repurposed films they have edited in the past with directors like Werner Herzog and Lynne Ramsay. The performance takes its title from the eponymous residential area of Los Angeles where the couple used to live—imbuing it with a mythical feeling, like Twin Peaks and Mulholland Drive. We follow the open-ended editing process as it happens. Conflicting perspectives normally patched over in the editing room are revealed to us. In contrast to a film, which at a certain point is deemed finished and gets “locked,” this story keeps on developing. Like life itself, the edit remains endlessly open to change.