Paul Westerberg

For some aging music fans and kids with a passion for musical history, The Replacements are rock and roll defined. Gorman Bechard's remarkable history of the 'Mats takes us from their first show as the Impediments to their 1991 onstage breakup in Chicago, and everywhere in between. Bechard bravely eschews including the band's music, photos, and live footage, instead relying solely on the fans: their well-kept memories, hilarious anecdotes, and differing points of views about the foursome's wildly varied discography and infamous antics.

Experimental film utilizing collage treatment of footage from the 1987 Short Film "The Ledge". Featuring The Replacements.

Ondi Timoner follows Paul Westerberg around his hometown of Minneapolis during the making of his third solo album, Suicaine Gratifaction.

Follow the legendary Paul Westerberg as he promotes Stereo/Mono (Vagrant), records new material in his home studio, prepares for shows, and relaxes on the bus. This is as personal as the ever-elusive Westerberg has ever gotten outside of his writing: he offers insight on his personal life, musical career, and tells stories like only Westerberg is able to do.

During the first week of September 1981, Twin/Tone took the mobile recording unit and rented a bunch of video gear and recorded 15 bands live (five nights) at the 7th Street Entry in Minneapolis... These movies are from the show on September 5th. The band had released "Sorry Ma..." earlier in the year and were already working on future projects. These clips are presented as they were recorded live... in set order and very much with the tuning that troubled the night. The Replacements were the middle band of three (Husker Du closed the show) and played two 25 minute sets.

Ondi Timoner follows Paul Westerberg around his hometown of Minneapolis during the making of his third solo album, Suicaine Gratifaction.

Follow the legendary Paul Westerberg as he promotes Stereo/Mono (Vagrant), records new material in his home studio, prepares for shows, and relaxes on the bus. This is as personal as the ever-elusive Westerberg has ever gotten outside of his writing: he offers insight on his personal life, musical career, and tells stories like only Westerberg is able to do.