Hal McElroy

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

In this archival documentary, coproducer Hal McElroy, director of photography Russell Boyd, actress Helen Morse (Mademoiselle de Poitiers), coproducer Jim McElroy, actress Anne Lambert (Miranda), and executive producer Patricia Lovell discuss the production history of ‘Picnic at Hanging Rock’ and the unique story it tells.

A Feature Length Documentary On The Making Of The Film Featuring Exclusive Interviews With Peter Weir, Hal & Jim Mcelroy, Patricia Lovell and much more

In the early 1900s, Miranda attends a girls boarding school in Australia. One Valentine's Day, the school's typically strict headmistress treats the girls to a picnic field trip to an unusual but scenic volcanic formation called Hanging Rock. Despite rules against it, Miranda and several other girls venture off. It's not until the end of the day that the faculty realizes the girls and one of the teachers have disappeared mysteriously.

In the Australian outback a vicious wild boar kills and causes havoc to a small community.

A Sydney lawyer defends five Aboriginal people in a ritualised taboo murder and in the process learns disturbing truths about himself and premonitions.

After surviving a car accident, a young man finds himself trapped in the isolated town of Paris, where the local economy depends on deliberately causing crashes and salvaging the wreckage. As he becomes entangled in the town’s routines, tensions between its residents and a rebellious group of youths begin to surface.

A widowed father has to deal with two complex issues: while he is searching for "Miss Right," his son, who is in his 20s and gay, is searching for "Mr. Right."

A journalist sets out to report on a minor earthquake in the Australian outback, and finds that the tremor was a result of a small nuclear explosion - part of an extortion threat that has the government fearing nuclear blackmail. With the help of local reporters, and despite the harassment of the security agencies, he sets out to avert the crisis.