May Spils

Directing

May Spils

Born

1941-07-29 (85)

Place of birth

Twistringen, Germany

Known for

Directing

Credits

19 titles

Known for

Film credits

1960s · 5 titles

Series credits

Behind the camera

No artwork available
9.0

A woman's elaborate manoeuvre to get her husband out of bed.

Manöver

1967

No artwork available
9.0

A woman's elaborate manoeuvre to get her husband out of bed.

Manöver

1967

No artwork available
9.0

A woman's elaborate manoeuvre to get her husband out of bed.

Manöver

1967

Hau drauf, Kleiner poster
8.0

No synopsis available yet.

Hau drauf, Kleiner

1974

No Pawing, Darling poster
7.7

A man is thrown out by his girlfriend and moves in with a friend who is part of a group of terrorists plotting an assault on a department store.

No Pawing, Darling

1970

Go for It, Baby poster
7.5

Martin is 25 years old and very reserved about work. Together with his buddy Henry, he lives in their Schwabing apartment in the day. But everything changes when he falls in love with the attractive Barbara and observed a slump: For when he gives up the police report, the officials themselves suspect him of the crime. In addition, he still owes a text to the hit producer Viktor Block. Suddenly Martin is up to his ears in chaos.

Go for It, Baby

1968

Mit mir nicht, du Knallkopp poster
9.0

No synopsis available yet.

Mit mir nicht, du Knallkopp

1983

Wehe, wenn Schwarzenbeck kommt poster
9.0

No synopsis available yet.

Wehe, wenn Schwarzenbeck kommt

1979

Wehe, wenn Schwarzenbeck kommt poster
9.0

No synopsis available yet.

Wehe, wenn Schwarzenbeck kommt

1979

The Portrait poster
8.0

From Mona Lisa to Brigitte Bardot, artistic representation and perception of women is often shaped by traditional role models. In tongue-in-cheek fashion, director May Spils unmasks these dyed-in-the-wool structures and plays a young woman who can only fail in her attempt to paint a self-portrait.

The Portrait

1966

The Portrait poster
8.0

From Mona Lisa to Brigitte Bardot, artistic representation and perception of women is often shaped by traditional role models. In tongue-in-cheek fashion, director May Spils unmasks these dyed-in-the-wool structures and plays a young woman who can only fail in her attempt to paint a self-portrait.

The Portrait

1966

The Portrait poster
8.0

From Mona Lisa to Brigitte Bardot, artistic representation and perception of women is often shaped by traditional role models. In tongue-in-cheek fashion, director May Spils unmasks these dyed-in-the-wool structures and plays a young woman who can only fail in her attempt to paint a self-portrait.

The Portrait

1966