Directing

Tom Kalin

Born 1962-03-04 · Chicago, Illinois, USA

Tom Kalin (born 1962) is an award-winning screenwriter, film director, producer, and professor of experimental film at European Graduate School in Saas-Fee. His debut feature, Swoon, is considered an integral part of the New Queer Cinema. In addition to his feature work, Kalin has created a number of short films, many of which are collected in the compilations Behold Goliath or The Boy With the Filthy Laugh, Third Known Nest and Tom Kalin Videoworks: Volume 2. Much of Kalin's work touches on issues of homosexuality (both modern-day and historical) and AIDS. He was a member of two AIDS direct action groups, ACT UP and Gran Fury. His work has won much critical acclaim and garnered a number of awards and nominations, including honors from the Berlin International Film Festival, Sundance Film Festival, Tribeca Film Fest and a number of gay and lesbian film festivals. Kalin won the Gotham Awards Open Palm Award (for Swoon) and has been nominated for two Independent Spirit Awards. Kalin's last project was Savage Grace, Savage Grace tells the story of the 1972 Barbara Daly Baekeland murder case and stars Julianne Moore as Baekeland. Tom Kalin has taught graduate-level filmmaking classes at Columbia University School of the Arts, and is currently lecturing at the European Graduate School in Switzerland. He is a 2011 Guggenheim Fellow. Description above from the Wikipedia article Tom Kalin, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Acting credits

Behind the camera

Savage Grace poster
5.7

This examination of a famous scandal from the 1970s explores the relationship between Barbara Baekeland and her only son, Antony. Barbara, a lonely social climber unhappily married to the wealthy but remote plastics heir Brooks Baekeland, dotes on Antony, who is homosexual. As Barbara tries to "cure" Antony of his sexuality -- sometimes by seducing him herself -- the groundwork is laid for a murderous tragedy.

Savage Grace

2007

Office Killer poster
5.1

When Dorine Douglas' job as proofreader for Constant Consumer magazine is turned into an at-home position during a downsizing, she doesn't know how to cope. But after accidentally killing one of her co-workers, she discovers that murder can quench the loneliness of her home life, as a macabre office place forms in her basement, populated by dead co-workers.

Office Killer

1997

30/30 Vision: Three Decades of Strand Releasing poster
5.3

Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.

30/30 Vision: Three Decades of Strand Releasing

2019

Ashes poster
NR

For Ashes, Tom Kalin photographed thousands of high resolution still images and "stitched" them into a moving image. While borrowing library books for research on another project, Kalin discovered, glued to the endpapers, ordinary "due date" ledgers stamped with dates spanning three decades. Inspired by these tiny ledgers—like skin or palimpsests that recorded an analogue history, an accumulation of many gestures—Kalin combines quotidian pictures snatched from his daily life with an evocative musical track by ongoing collaborator Doveman (Thomas Bartlett). The film layers dates and moments from Kalin's personal world with the public and global history of AIDS. Commissioned by Visual AIDS in 2014 as part of ALTERNATE ENDINGS, a program of seven videos that bring together charged moments and personal memories amidst the public history of HIV/AIDS.

Ashes

2014

I Shot Andy Warhol poster
6.2

The story of Valerie Solanas, a '60s radical who preached misandry in her "SCUM" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he repeatedly ignored her. So she shot him.

I Shot Andy Warhol

1996

No artwork available
NR

A profile of fashion designer Geoffrey Beene, on his 30 years in the industry.

Geoffrey Beene 30

1993

No artwork available
NR

A profile of fashion designer Geoffrey Beene, on his 30 years in the industry.

Geoffrey Beene 30

1993

Swoon poster
5.7

Teenagers Nathan Leopold Jr. and Richard Loeb share a dangerous sexual bond and an amoral outlook on life. They spend afternoons breaking into storefronts and engaging in petty crimes, until the calculating Nathan ups the ante by kidnapping, and murdering, a young boy.

Swoon

1992

Swoon poster
5.7

Teenagers Nathan Leopold Jr. and Richard Loeb share a dangerous sexual bond and an amoral outlook on life. They spend afternoons breaking into storefronts and engaging in petty crimes, until the calculating Nathan ups the ante by kidnapping, and murdering, a young boy.

Swoon

1992

Confirmed Bachelor poster
NR

Confirmed Bachelor shakes up a mix of written and spoken text. Angela Carter’s quote counterpoints fundamentalist voices; shots of hothouse flowers play over a born-again doctor’s commentary on the ins and outs of gay male carnality. This humorless spew of a turgid imagination was lifted from The Gay Agenda, an agit-prop tape circulated in the Senate by Christian conservatives. A collision of disco hooks, floating quotes, and fertile nature, Confirmed Bachelor lovingly smothers their moralistic posturing under a blanket of blooms.

Confirmed Bachelor

1994

FAKE! poster
NR

Inspired by the Liar In Chief and his Minister of Disinformation, we give you the newest invention of late stage capitalism: "alternative facts"!

FAKE!

2017

No artwork available
NR

Short film.

True Believer

2016

Nation poster
9.0

Commissioned by the Whitney Museum of American Art and The American Center in Paris as part of their international Trans Voices project, Nation flashes contradictory formulations of language, politics, and medicine across a sharp and close screen. Blurring geography with the body's landscape, Nation reminds us that our bodies, like land, have been shaped by history into zones to be charted, conquered, divided, or made whole. "Think globally act locally," in one dense minute.

Nation

1992

Nation poster
9.0

Commissioned by the Whitney Museum of American Art and The American Center in Paris as part of their international Trans Voices project, Nation flashes contradictory formulations of language, politics, and medicine across a sharp and close screen. Blurring geography with the body's landscape, Nation reminds us that our bodies, like land, have been shaped by history into zones to be charted, conquered, divided, or made whole. "Think globally act locally," in one dense minute.

Nation

1992

They Are Lost to Vision Altogether poster
NR

They Are Lost to Vision Altogether acts as erotic retaliation on legislation such as the Supreme Court sodomy ruling — declaring the private bedroom as open target for the State — or the Helms Amendment — the U.S government's refusal to fund explicit AIDS prevention information for gay men, lesbians and IV drug users. An attempt to reclaim eroticism and to address the contradictions of sexuality and romance in the face of a monolithic and culturally compulsory heterosexuality, They Are Lost To Vision altogether finds queer history where it can and invents the rest.

They Are Lost to Vision Altogether

1989

finally destroy us poster
NR

Kalin's short video works function both as visual poems and as alternative music videos. With their astute conjunctions of image, music and text, these tapes respond to issues of sexuality and human interaction in the 1990s, more than a decade into the AIDS crisis.

finally destroy us

1991

Third Known Nest poster
6.0

Third Known Nest is a collection of nine short works completed approximately one per year from 1991 to 1999. Interwoven with nine quotations from some of my favorite writers, the eighteen short entries in Third Known Nest function as an intimate visual diary—fractured pictures from my day-to-day life. I carried a Super-8 camera with me whenever and wherever I traveled, and also at home—just running errands or in the garden. I shot nearly a hundred fifty-foot reels of film.

Third Known Nest

1999

No artwork available
NR

Video work by Tom Kalin

I hung back, held fire, danced and lied

1997

No artwork available
NR

Director Tom Kalin uses the elegant dynamism of parkour as a motif for aspiration in Mirror Mirror's Sublime Objective music video. The lyrics speak to striving for a goal, while the music suggests a transcendent state: a relationship that Kalin explores with the use of Shaker-inspired movement, bubbles, and imagery of rainbows and light halos. Sublime Objective is available on Mirror Mirror's LP, Interiors.

Sublime Objective, Mirror Mirror

2013