
Acting
Martin Held
Born 1908-11-11 · Berlin, Germany
Acting credits
No synopsis available yet.
Spätsommer
1966
6.8After World War II, a lot of people, who lived in the eastern parts of the Third Reich had to be relocated. One of them is Hugo Starosta (Martin Held) with his family. They live in a fortress. Hugo is unemployed, his children don't seem to like school, but somehow they managa to get through.
Condemned to Sin
1964
5.0A collection of sketches that tells the story of prostitution through the ages.
The Oldest Profession
1967
6.1Vlassov is a Soviet spy who defects in France. He is whisked to the U.S, where Allan Davies takes over the case. After polygraph tests and cross-examinations, Vlassov names several Western European agents who are also spying for the Soviets. Davies wants to take the listed agents into custody; meanwhile, those on the list start dying under mysterious circumstances.
The Serpent
1973
No synopsis available yet.
Der Sturm
—
6.7Admiral Canaris is chief of the intelligence service of Nazi Germany. His department is quite successful and Hitler grants him all the money he wants for new developments. Still he's a thorn in the side of the Nazi chiefs, since he's not as unscrupulous as they want him and is known to criticize their ideology.
Canaris
1954
No synopsis available yet.
Gespenster
1966
6.4Director Wolfgang Staudte who left East Germany in 1953 to make movies in West Germany, takes a few swipes at the West German judicial system in this fairly effective courtroom drama about the murder of a four-month-old baby. Police almost immediately arrest the mother Ingrid who is the mistress of the father, a rich business VIP married to another woman. His position and wealth keep him insulated from suspicion. A hot-shot lawyer has to overcome the unaccountably biased perceptions of the police, the judge, the prosecutor and almost everyone else in the judicial system. The defence lawyer, driven to an extreme, knows he has to find the real killer or his client will be convicted.
The Last Witness
1960
No synopsis available yet.
Michael Kramer
1965
8.3Lieschen Müller is in her mid-20s, works a dull office job and fancies the handsome waiter from the diner down the street, wishing for a more exciting life. In a vivid, lucid dream she happens upon a gigantic fortune, allowing her to live out her wildest fantasies. Quickly, however, she realizes that that's not what makes her happy.
The Dream of Lieschen Müller
1961
7.3A young shoemaker is arrested for stealing a small amount of money, and is jailed for fifteen years. Upon his release, he wants to get a permit to get a job and start anew, but finds that without a job he can't get a permit, and without a permit he can't get a job. Ensnared in the absurd net of Prussian bureaucracy, he can't see any way out. That is, until he enters a thrift shop and spots a Prussian officer's uniform that fits him like a second skin...
The Captain from Kopenick
1956
8.0Baron Holberg, who looks back with pride on a long family tradition as hotel thieves, is horrified when his daughter Doris falls in love with the lawyer Robert Hammond, of all people, rather than choosing the art thief Sammy, as he would wish. Under the pretext that they are being pursued by the police, he lures his daughter away from the lawyer, but when he confesses the deception to her, Doris immediately sets off for Hammond's country estate near London. However, Hammond's father is not too fond of the connection either...
Long Legs, Long Fingers
1966
No synopsis available yet.
Frohe Ostern
1972
6.0In Berlin, when the journalist Greg Bachmann is released from prison six months before the end of his sentence, there is a driver named Jupp waiting for him. Soon he learns that the famous journalist Cesar Boyd was the responsible for the shorter sentence. Cesar offers a position of his assistant to Greg; in return, Boyd would write his story about his interviews to war criminals and Greg would help him in other matters. Meanwhile Boyd welcomes the daughter of a deceased friend, Bettina, and he becomes her guardian.
Wet Asphalt
1958
No synopsis available yet.
Niemandsland
1981
7.0Dr. Fabian is the good soul at the University Surgical Clinic. Nicknamed "Paulchen" by his famous boss, Professor Spalke, the demigod in white brings joy to the lives of his patients with his cheerful disposition and is also tireless in his support and advice for his students. It's no wonder that women would love to get their hands on this dream man. But Dr. Fabian remains steadfast - until he meets the attractive anaesthetist Inge.
Dr. med. Fabian - Lachen ist die beste Medizin
1969
6.3Twelve different episodes of erotic relationships are described as examples of modern love substitute.
And So to Bed
1963
9.0No synopsis available yet.
Liebe will gelernt sein
1963
No synopsis available yet.
Einmal Moskau und zurück
1983
No synopsis available yet.
Flint
1972
Germany during World War I. Young Jean falls in love with Germaine. To put an end to the affair, Father de Wehrt sends his son to the countryside. When the high school senior starts flirting with Gertrud there, he is sent to the army.
Black-White-Red Four Poster
1962
No synopsis available yet.
Yvonne, Prinzessin von Burgund
1971
5.5Florestan Mississippi, a public prosecutor by profession, visits a lady named Anastasia and, while drinking coffee with her, convicts her of poisoning her husband. At the same time, he asks for her hand in marriage, as he too has killed his wife with poison; the marriage is to be the "atonement" of the two poisoners. The four allegorical personifications in this comedy are, in addition to the loveless, absolute justice in the form of the prosecutor Mississippi, perfect equality, represented by the world revolutionary Saint-Claude, Christian love, embodied in the down-and-out, alcoholic tropical doctor Count Uebelohe-Zabernsee, and finally the "Frau Welt" of the old mystery play – Anastasia, who falls for everyone and betrays everyone, loves nothing but the moment, and dies with an invoked untruth on her lips.
The Marriage of Mr. Mississippi
1961
6.9Arne Sucksdorff’s ethnographic feature documents the life and rituals of the Muria people in the Bastar jungle of central India, focusing on their traditions, music, and relationship to the natural environment. Presented with Sucksdorff’s lyrical visual style, the film was selected for the 1958 Cannes Film Festival.
The Flute and the Arrow
1957