Mark McCracken

Jessica Day is an offbeat and adorable girl in her late 20s who, after a bad breakup, moves in with three single guys. Goofy, positive, vulnerable and honest to a fault, Jess has faith in people, even when she shouldn't. Although she's dorky and awkward, she's comfortable in her own skin. More prone to friendships with women, she's not used to hanging with the boys—especially at home.

The story of the Miami Police Department's vice squad and its efforts to end drug trafficking and prostitution, centered on the unlikely partnership of Sonny Crockett and Ricardo Tubbs - who first meet when Tubbs is undercover in a drug cartel.

Anthology series composed of distinct story episodes, sometimes with a plot twist at the end, with occasional recurring story elements that were often tied together during season-finale clip shows.

Ellen works in a Los Angeles bookstore called Buy the Book and hangs around with her friends discussing lovers, work and family.

The year is 1965 and America is at war with North Vietnam. Commanding the air cavalry is Lt. Col. Hal Moore (Gibson), a born leader committed to his troops. His target: the Ia Drang Valley, called "The Valley of Death." As Moore prepares for one of the most violent battles in U.S. history, he delivers a stirring promise to his soldiers and their families: "I will leave no man behind...dead or alive. We will all come home together."

A horror/suspense anthology series directed by the biggest horror directors working in feature films.

Jessica Day is an offbeat and adorable girl in her late 20s who, after a bad breakup, moves in with three single guys. Goofy, positive, vulnerable and honest to a fault, Jess has faith in people, even when she shouldn't. Although she's dorky and awkward, she's comfortable in her own skin. More prone to friendships with women, she's not used to hanging with the boys—especially at home.

The story of the Miami Police Department's vice squad and its efforts to end drug trafficking and prostitution, centered on the unlikely partnership of Sonny Crockett and Ricardo Tubbs - who first meet when Tubbs is undercover in a drug cartel.

The story of the Miami Police Department's vice squad and its efforts to end drug trafficking and prostitution, centered on the unlikely partnership of Sonny Crockett and Ricardo Tubbs - who first meet when Tubbs is undercover in a drug cartel.

The story of the Miami Police Department's vice squad and its efforts to end drug trafficking and prostitution, centered on the unlikely partnership of Sonny Crockett and Ricardo Tubbs - who first meet when Tubbs is undercover in a drug cartel.

Anthology series composed of distinct story episodes, sometimes with a plot twist at the end, with occasional recurring story elements that were often tied together during season-finale clip shows.

Ellen works in a Los Angeles bookstore called Buy the Book and hangs around with her friends discussing lovers, work and family.

A horror/suspense anthology series directed by the biggest horror directors working in feature films.

When three kids explore Charterville's haunted Hillhurst Mansion on a dare, they discover a lot more than they bargain for! The trio find a wild and wacky phasm named Flabber, who changes their lives forever when he grants their wish to become the superheroes they've read about in BeetleBorgs comics. However, not only does Flabber grant the kids' wish, but he also accidentally facilitates the escape of supervillains from the comic books as well! Now it's up to these three newly tapped superheroes - aided by a friendly neighborhood phasm and armed with fantastic powers and awesome vehicles - to save the world from the forces of darkness that threaten the peace and harmony of all mankind.

Rebel Highway is a 1994 revival of American International Pictures, created and produced by Lou Arkoff, the son of Samuel Z. Arkoff, and Debra Hill for the Showtime network. The concept was a ten-week series of 1950s "drive-in classic" B-movies remade "with a '90s edge". Each episode shares a title with a late 1950s-early 1960s-era AIP film. However, they are not remakes; each installment is a different story from that which they are titled. The impetus for the series, according to Arkoff was, 'what it would be like if you made Rebel Without a Cause today. It would be more lurid, sexier, and much more dangerous, and you definitely would have had Natalie Wood's top off'.