Hsu Li-Kong

Two warriors in pursuit of a stolen sword and a notorious fugitive are led to an impetuous, physically-skilled, teenage nobleman's daughter, who is at a crossroads in her life.

Retired and widowed Chinese master chef Chu lives in modern day Taipei, with his three attractive daughters, all of whom are unattached. Soon, each daughter encounters a new man in their lives. When these new relationships blossom, stereotypes are broken and the living situation within the family changes.

Three lonely young denizens of Taipei unknowingly share an apartment: May, a real estate agent who uses it for her sexual affairs; Ah-jung, her current lover; and Hsiao-kang, who's stolen the key and uses the apartment as a retreat.

In Taipei, four youths face alienation, loneliness, and moments of existential crisis amidst a series of minor crimes.

A rather dejected Mei-li Chen lives with her extended family in the suburbs. She drops out of college when the boy she has a crush on finds a girlfriend. Mei-li eventually ends up selling tickets in a movie theatre. A great camaraderie then builds up between the two cashiers in the small ticket booth.

A young man develops severe neck pain after swimming in a polluted river for a movie shoot, but nobody can provide him any relief.

Two warriors in pursuit of a stolen sword and a notorious fugitive are led to an impetuous, physically-skilled, teenage nobleman's daughter, who is at a crossroads in her life.

Retired and widowed Chinese master chef Chu lives in modern day Taipei, with his three attractive daughters, all of whom are unattached. Soon, each daughter encounters a new man in their lives. When these new relationships blossom, stereotypes are broken and the living situation within the family changes.

Three lonely young denizens of Taipei unknowingly share an apartment: May, a real estate agent who uses it for her sexual affairs; Ah-jung, her current lover; and Hsiao-kang, who's stolen the key and uses the apartment as a retreat.

In Taipei, four youths face alienation, loneliness, and moments of existential crisis amidst a series of minor crimes.

A rather dejected Mei-li Chen lives with her extended family in the suburbs. She drops out of college when the boy she has a crush on finds a girlfriend. Mei-li eventually ends up selling tickets in a movie theatre. A great camaraderie then builds up between the two cashiers in the small ticket booth.

A young man develops severe neck pain after swimming in a polluted river for a movie shoot, but nobody can provide him any relief.

Siao Yu needs a green card. Mario Moretti needs his debts paid. Getting married could solve their problems, or multiply them.

In 1949, the Communists take over mainland. The refugees and the military arrive in the Keelung Harbor in Taiwan. A father holds secret meetings with other generals in attempt to recover the lost land, his kids still play games with their grandma who enjoys the harmony in hardship.

An attractive and successful doctor places a personal ad in a newspaper to try to meet (and eventually marry) Mr. Right. A succession of blind dates ensues, featuring men who are lonely, desperate, dangerous and perverted.

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Several residents of a Taipei apartment complex try to sort out their tangled romances in this Taiwanese drama helmed by Ming-Tai Wang. Hair stylist Angel can't get her aloof beau, Alan, to commit to their relationship -- a problem that escalates when Alan's first love moves in next door. Meanwhile, he's also having a fling with a middle-aged Mafia mistress who lives in the building.

The film has four main-storylines. A shoe store girl who likes Tony Leung, a couple who is suffering from cockroaches and is looking for a new apartment, a salesperson who is worried about his ex-wife, and a young actor from a small theater group who is afraid of being seen naked by his mother.

A high school student and a pop singer meld reality with fiction as they both fantasize themselves as characters in a Ming dynasty tale of seduction - "The Peony Pavilion."

Set in China in the 1930s, the film is about the unsettling relationship between three characters, each involved with a performance of the opera Fleeing by Night in a local theatre.

Set in China in the 1930s, the film is about the unsettling relationship between three characters, each involved with a performance of the opera Fleeing by Night in a local theatre.

Hangzhou, Zhejiang province, China, the present day. Master chef Tang Shizhe (Kenneth Tsang) tells his two daughters, the careerist Wa'er (Huo Siyan) and teenage Xiaolan (Jiang Mengjie), that he has decided to sell his upscale vegetarian restaurant, the centre of his life for 30 years.

Infused with a few moments of pathos, this off-beat comedy centers on a trio of Taiwanese outcasts who go looking for love.

Chun, 28, Taiwanese, goes on a conflict-packed search journey with her Chinese guide, Ming, to find her father's long-lost first love, XiuQian, in China. Chun's father had promised XiuQian 60 years ago that he'd definitely come back to marry her. But not until recently, Taiwan and China were hostile to each other, he was never able to fulfill his promise. Chun and Ming grew up on two sides of the Taiwan Strait and were brought up with different values. They don't hesitate to cut each other down to size. Their turbulent romance unfolds in tears, laughter and a clash of values. The love story of two generations, across the Taiwan Strait, told with touching drama and biting comedy, is a poignant and entertaining road movie.

Compulsive gambler Jih (Tai-bao) tries to bamboozle dim-bulb gang boss Black Dog (Chen-Nan Tsai) in this satirical action-comedy that pokes fun at Taiwanese culture. To fend off Black Dog's attempt to collect a gaming debt, Jih says he can't repay the money because he needs it for the funeral of his father (Bin-hui Lee) -- who once saved the mafioso's life. Trouble is, Jih's father is alive, and Black Dog plans to attend the memorial service.

In the 80's, passing the college entrance exam was the only hope for a future. To Chi-wen and Ming-hsien it is a bleak and unwanted future that they rebel against. Ming-hsien is in love with Jing-fen, a girl with a musician boyfriend. In order to prove his love Ming-hsien decides against taking the college entrance exam in order to help her with a financial scam. When Chiwen follows suit, he loses his girlfriend as well as his focus in life.

A group of aimless Taipei residents deal with their personal problems in this Taiwanese drama that does feature brief flashes of black humor. Much of the story centers upon lonely Mrs. Chen who has trouble coping with her philandering husband, and nearly senile mother-in-law. Her daughter frequently sulks and has a desperate crush on one of her teachers. Mrs. Chen's only friend is her co-worker Liu, who has fallen for a new office boy, Chou. Mrs. Chen also finds him attractive. Unfortunately for either woman, Chou is gay and plagued with problems of his own.

With a singular voice that distinguishes him from his New Taiwan Cinema contemporaries, Lin Cheng-sheng adds to his brief, but already remarkable, filmography with Sweet Degeneration, his third film in two years. As with A Drifting Life and Murmur of Youth, Lin’s new film delicately unfolds, gradually building to a climax of stunning emotional reverberations. Drawn from a particularly painful episode in the director’s past, Sweet Degeneration delves into the uneasy bonds a brother and sister have with each other and the people around them.