Ethel Smyth

Written by Dame Ethel Smyth, English composer and leader in the women’s suffrage movement, The Wreckers was first performed in Germany in 1906 and was mounted in the composer’s homeland in 1909. This powerful three-act opera about piracy, love, and betrayal in a community of religious fanatics received its U.S. premiere in 2015 at Bard SummerScape in a penetrating production directed by Thaddeus Strassberger, with the American Symphony Orchestra under the baton of Maestro Leon Botstein.

Based on Ethel Smyth's opera The Wreckers, Kerstin Steeb’s Strandrecht creates a vision of civil disobedience in the guise of a feminist opera—positioned somewhere between lavish music theatreand a performative experience. A contemporary interpretation of this hitherto underappreciated work emerges from a blend of original piano passages, classical vocals, electronic sounds, and new text fragments.

Written by Dame Ethel Smyth, English composer and leader in the women’s suffrage movement, The Wreckers was first performed in Germany in 1906 and was mounted in the composer’s homeland in 1909. This powerful three-act opera about piracy, love, and betrayal in a community of religious fanatics received its U.S. premiere in 2015 at Bard SummerScape in a penetrating production directed by Thaddeus Strassberger, with the American Symphony Orchestra under the baton of Maestro Leon Botstein.

Based on Ethel Smyth's opera The Wreckers, Kerstin Steeb’s Strandrecht creates a vision of civil disobedience in the guise of a feminist opera—positioned somewhere between lavish music theatreand a performative experience. A contemporary interpretation of this hitherto underappreciated work emerges from a blend of original piano passages, classical vocals, electronic sounds, and new text fragments.