José Antonio Félez

Modelo Prison. Barcelona, 1977. A young accountant, awaiting trial for embezzlement with a possible 20 years sentence, joins a group of prisoners demanding amnesty.

The Spanish Deep South, 1980. A series of brutal murders of adolescent girls in a remote and forgotten town bring together two disparate characters – both detectives in the homicide division – to investigate the cases.

Angel, a young intelligent and kind, aims to be a police inspector. Rafael instead is an expeditious, forceful and arrogant policeman. Meanwhile, Miguel and Mateo are part of Group 7, a group of rogue cops ready to do anything to achieve their goals.

Jorge feels suffocated by his menial job but can't break free of the obligations that keep him stuck — until he meets a woman who shakes his life up.

Pudor is about intimacy, about the desires, obsessions, secrets and fears that we keep hidden, even from those we love most. The characters in this story are a man who is going to die, a woman who receives anonymous erotic notes, an older man who is offered a last chance at falling in love, a teenager struggling to handle the doubts generated by puberty and a small boy who sees ghosts. As is the case in many families, in spite of living together, all the characters in Pudor are alone.

Nuria is a young girl with a good life, a boyfriend to marry him and a parents who love her, but a problem: she still is married with Jorge. Former CEO, Jorge lives almost in the ruin together his ex boss and friend Lucas. After two years separated, Jorge doesn't forget her, but Nuria tries to ask him files for divorce when she wrongly discovers that Jorge has tried to commit suicide jumping by a window. Feeling responsible by it, Nuria talks with her parents Miguel and Patricia, according cheat Jorge for that he beliefs that they aren't divorced and Miguel didn't lose his company due to the Jorge's bad business inversions that ruined his parents-in-law, in order to get the divorce without pain for anybody. The real problem is what when the lies accumulate, the situation is each time more dangerously out of control.

Modelo Prison. Barcelona, 1977. A young accountant, awaiting trial for embezzlement with a possible 20 years sentence, joins a group of prisoners demanding amnesty.

The Spanish Deep South, 1980. A series of brutal murders of adolescent girls in a remote and forgotten town bring together two disparate characters – both detectives in the homicide division – to investigate the cases.

Angel, a young intelligent and kind, aims to be a police inspector. Rafael instead is an expeditious, forceful and arrogant policeman. Meanwhile, Miguel and Mateo are part of Group 7, a group of rogue cops ready to do anything to achieve their goals.

Jorge feels suffocated by his menial job but can't break free of the obligations that keep him stuck — until he meets a woman who shakes his life up.

Pudor is about intimacy, about the desires, obsessions, secrets and fears that we keep hidden, even from those we love most. The characters in this story are a man who is going to die, a woman who receives anonymous erotic notes, an older man who is offered a last chance at falling in love, a teenager struggling to handle the doubts generated by puberty and a small boy who sees ghosts. As is the case in many families, in spite of living together, all the characters in Pudor are alone.

Nuria is a young girl with a good life, a boyfriend to marry him and a parents who love her, but a problem: she still is married with Jorge. Former CEO, Jorge lives almost in the ruin together his ex boss and friend Lucas. After two years separated, Jorge doesn't forget her, but Nuria tries to ask him files for divorce when she wrongly discovers that Jorge has tried to commit suicide jumping by a window. Feeling responsible by it, Nuria talks with her parents Miguel and Patricia, according cheat Jorge for that he beliefs that they aren't divorced and Miguel didn't lose his company due to the Jorge's bad business inversions that ruined his parents-in-law, in order to get the divorce without pain for anybody. The real problem is what when the lies accumulate, the situation is each time more dangerously out of control.

To find his therapy dog, a 17-year-old escapes from juvie and embarks on a journey of reconnection with his brother and grandmother through Cantabria.

Five siblings gather to celebrate a wedding at their family estate on the day Spain plays the final of the 2010 World Cup.

After the funeral of his daughter Ema, Frank Osorio travels for the first time to Buenos Aires to tell his granddaughter Alina about her mother's death. But Frank has to big secrets: the first one is about the identity of Alina's father and the second one is related to a crime.

Chimo turns 18 years and comes from a humble and supportive family. Since childhood he was bullied and even today, while working multiple jobs and dreaming of starting his own business, he continues to face his bully: El Rubio. When Chimo has the opportunity for revenge, he never imagines what begins as an act of retaliation could turn into an unexpected friendship that'll change both their lives.

Manuel, Ana and Julio get together in a warm summer night after not having seen each other for a while and set off to explore the night.

After years of setbacks, hopes, anxiety and realities, the fear that they don’t deserve to be happy has taken shape. Together, Rosario and Milagros take two different routes in life: one towards the cruelest nothingness with a joyful and vital attitude and the other towards a hopeful future from a redeemed life and in the middle there is forgiveness.

Due to many reasons, ranging from insecurity to trauma, a group of people have gained a lot of weight in recent times.

Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.

When the retired seventy-seven years old hypochondriac widower Fred moves to an apartment in Madrid, his temperamental daughter Cuca has an incident with his next door neighbor, the elder Argentinean Elsa. Later, they meet each other and Elsa seduces Fred with her reckless behavior and view of life and they have a romance.

Three cousins travel to the village where they spent summer vacations as kids.

Two Argentine sisters, Memé and Aneta, lose their mother in a car crash. Memé, the elder, is also left lame with one badly scarred leg. The orphaned girls go to Uruguay to stay with their aunts. The sisters often bicker, but they are actually very close. Memé flirts but has no luck with boys because of her injury... On their own now, Memé works as a waitress where she gets to know Andy. Returning to Montevideo, they meet Dolores, a friend of their late mother. Memé's affair with a man complicates her relationship with her sister. Then Andy invites the pair to his seaside retreat, a lighthouse.

In the summer of 1928, several inmates from the National Penitentiary in Buenos Aires managed to escape. The film narrates the fate of each of these runaways in search of their destiny - tough men with their own ethical codes and ready to do anything not to return to prison. Some of them will suffer violent deaths, while others manage de disappear. Sordid and moving stories, not excluding tenderness and love, mercy or horror sealed with a pact of prison love that will remain in the heart of Buenos Aires, as witness of the yearned-for freedom.

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.