Marc Puchini

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Based on the homonymous poem by Jacint Verdaguer, Lau Quevedo evokes a poetic film that follows Gentil and Guifre until Gentil's death, and the dialogues they share about God, faith, their wanderings, and the everyday conversations about nothingness.

A young man searching for a mountain finds himself on an island where everyone speaks Catalan and dances the tango.

Aliosha Karamázov must grapple with the heavy burden of a fictitious life, which leads him into profound moral and religious conflicts as he is unable to live his existence from point “A” to point “Z.” Marc Puchini signs this experimental, metacinematic film, positioned halfway between the film essay, fiction, and documentary. In it, he experiments with new techniques to represent life and cinema —synonymous for him— situating the work within a vanguard lineage inherited from filmmakers such as Jonas Mekas, Michael Snow, Andy Warhol, Kenneth Anger, or even Iván Zulueta. The short film is starring the great emerging filmmaker Jan Descarrega, in one of the most memorable performances in the history of cinema. Seeing is believing. An ultramodern, free, underground, amateur, radical, transversal, and profoundly independent film.

Based on the homonymous poem by Jacint Verdaguer, Lau Quevedo evokes a poetic film that follows Gentil and Guifre until Gentil's death, and the dialogues they share about God, faith, their wanderings, and the everyday conversations about nothingness.

Aliosha Karamázov must grapple with the heavy burden of a fictitious life, which leads him into profound moral and religious conflicts as he is unable to live his existence from point “A” to point “Z.” Marc Puchini signs this experimental, metacinematic film, positioned halfway between the film essay, fiction, and documentary. In it, he experiments with new techniques to represent life and cinema —synonymous for him— situating the work within a vanguard lineage inherited from filmmakers such as Jonas Mekas, Michael Snow, Andy Warhol, Kenneth Anger, or even Iván Zulueta. The short film is starring the great emerging filmmaker Jan Descarrega, in one of the most memorable performances in the history of cinema. Seeing is believing. An ultramodern, free, underground, amateur, radical, transversal, and profoundly independent film.

Aliosha Karamázov must grapple with the heavy burden of a fictitious life, which leads him into profound moral and religious conflicts as he is unable to live his existence from point “A” to point “Z.” Marc Puchini signs this experimental, metacinematic film, positioned halfway between the film essay, fiction, and documentary. In it, he experiments with new techniques to represent life and cinema —synonymous for him— situating the work within a vanguard lineage inherited from filmmakers such as Jonas Mekas, Michael Snow, Andy Warhol, Kenneth Anger, or even Iván Zulueta. The short film is starring the great emerging filmmaker Jan Descarrega, in one of the most memorable performances in the history of cinema. Seeing is believing. An ultramodern, free, underground, amateur, radical, transversal, and profoundly independent film.

Aliosha Karamázov must grapple with the heavy burden of a fictitious life, which leads him into profound moral and religious conflicts as he is unable to live his existence from point “A” to point “Z.” Marc Puchini signs this experimental, metacinematic film, positioned halfway between the film essay, fiction, and documentary. In it, he experiments with new techniques to represent life and cinema —synonymous for him— situating the work within a vanguard lineage inherited from filmmakers such as Jonas Mekas, Michael Snow, Andy Warhol, Kenneth Anger, or even Iván Zulueta. The short film is starring the great emerging filmmaker Jan Descarrega, in one of the most memorable performances in the history of cinema. Seeing is believing. An ultramodern, free, underground, amateur, radical, transversal, and profoundly independent film.