Sid Ahmed Semiane

Louzine is a place uniting several music styles and several destinies. Men and women work there, who have come together because they master music instruments and have almost all had the same type of life: exile. Louzine is a mecca for tolerance concerning music. Gnawa music plays with rock and blues, chaâbi (traditional from Algiers) is on familiar terms with jazz, Kabyle music dances with Celtic sounds. This is where groups like Orchestre National de Barbès, Zerda, Thalweg, Gaâda, Cheikh Sidi Bémol could develop, thanks to such fecund diversity in which Breton bagpipes and North African qarqabous joyfully mingle, and free improvisation mixes with unchanging traditional chorus. All songs, be they in Arabic, Kabyle, French or English, tell about home, about love, hope, immigration, daily life, and are often full of humour.

No synopsis available yet.

Louzine is a place uniting several music styles and several destinies. Men and women work there, who have come together because they master music instruments and have almost all had the same type of life: exile. Louzine is a mecca for tolerance concerning music. Gnawa music plays with rock and blues, chaâbi (traditional from Algiers) is on familiar terms with jazz, Kabyle music dances with Celtic sounds. This is where groups like Orchestre National de Barbès, Zerda, Thalweg, Gaâda, Cheikh Sidi Bémol could develop, thanks to such fecund diversity in which Breton bagpipes and North African qarqabous joyfully mingle, and free improvisation mixes with unchanging traditional chorus. All songs, be they in Arabic, Kabyle, French or English, tell about home, about love, hope, immigration, daily life, and are often full of humour.

Louzine is a place uniting several music styles and several destinies. Men and women work there, who have come together because they master music instruments and have almost all had the same type of life: exile. Louzine is a mecca for tolerance concerning music. Gnawa music plays with rock and blues, chaâbi (traditional from Algiers) is on familiar terms with jazz, Kabyle music dances with Celtic sounds. This is where groups like Orchestre National de Barbès, Zerda, Thalweg, Gaâda, Cheikh Sidi Bémol could develop, thanks to such fecund diversity in which Breton bagpipes and North African qarqabous joyfully mingle, and free improvisation mixes with unchanging traditional chorus. All songs, be they in Arabic, Kabyle, French or English, tell about home, about love, hope, immigration, daily life, and are often full of humour.

No synopsis available yet.