Sara Driver

American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. Similarly to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode features a different monster, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.

In the sleepy town of Centerville, the lives of a number of interconnected characters are disrupted by the undead.

In Memphis, Tennessee, over the course of a single night, the Arcade Hotel, run by an eccentric night clerk and a clueless bellboy, is visited by a young Japanese couple traveling in search of the roots of rock; an Italian woman in mourning who stumbles upon a fleeing charlatan girl; and a comical trio of accidental thieves looking for a place to hide.

New York layabout Willie forms an unexpected bond with his young Hungarian cousin Eva when she pays him a surprise visit. Later, Eva moves in with their aunt in Cleveland, and Willie takes his best friend Eddie to see her—a visit that culminates in a strange, eventful trip to Florida.

Sophie comes to New York from France with the intention of joining a man she met a few months before. She finds herself alone in the apartment of the guy, who left town because he was scared stiff at the idea of seeing her. Originally commissioned as one third of an omnibus feature showcasing the Figaro, a Japan-only retro throwback car.

American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. Similarly to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode features a different monster, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.

New York layabout Willie forms an unexpected bond with his young Hungarian cousin Eva when she pays him a surprise visit. Later, Eva moves in with their aunt in Cleveland, and Willie takes his best friend Eddie to see her—a visit that culminates in a strange, eventful trip to Florida.

When Nicole, a young copy-shop employee, is hired to translate an ancient Chinese manuscript, she soon finds that the document has strange powers that little by little begin to exert an eerie influence over her life.

When Nicole, a young copy-shop employee, is hired to translate an ancient Chinese manuscript, she soon finds that the document has strange powers that little by little begin to exert an eerie influence over her life.

When Nicole, a young copy-shop employee, is hired to translate an ancient Chinese manuscript, she soon finds that the document has strange powers that little by little begin to exert an eerie influence over her life.

A young woman escapes from a mental hospital during the chaos of a nearby multiple-car accident. She is mistaken for a shock victim and is driven to her sister's house by a rescue volunteer. Then the real story begins...

A young woman escapes from a mental hospital during the chaos of a nearby multiple-car accident. She is mistaken for a shock victim and is driven to her sister's house by a rescue volunteer. Then the real story begins...

A young woman escapes from a mental hospital during the chaos of a nearby multiple-car accident. She is mistaken for a shock victim and is driven to her sister's house by a rescue volunteer. Then the real story begins...

The ghosts of a middle-aged woman and a precocious little girl help an unwed jazz musician and a bar dancer reverse their bad fortune.

After surviving a mass shooting, Madame P., an internationally renowned opera singer, retreats into a world where dreams and reality blur freely. Walls come alive, figures dance in fireplace flames, tiny people need rescuing from dumplings, and an armadillo — her unlikely companion since the tragedy — follows her everywhere. A close friend and companion helps her navigate daily life. Her everyday life in a medieval mansion is interrupted by two American outsiders who arrive full of good intentions.

After surviving a mass shooting, Madame P., an internationally renowned opera singer, retreats into a world where dreams and reality blur freely. Walls come alive, figures dance in fireplace flames, tiny people need rescuing from dumplings, and an armadillo — her unlikely companion since the tragedy — follows her everywhere. A close friend and companion helps her navigate daily life. Her everyday life in a medieval mansion is interrupted by two American outsiders who arrive full of good intentions.

Exploring the pre-fame years of the celebrated American artist Jean-Michel Basquiat, and how New York City, its people, and tectonically shifting arts culture of the late 1970s and '80s shaped his vision.

In 1982, the completion of Jim Jarmusch's sophomore film, Stranger Than Paradise, hinged on producer Sara Driver’s willingness and ability to smuggle one of the world’s rarest and most controversial films across the Atlantic Ocean.

A 30 minute film shot by Jim Jarmusch at Rockfield Studio, Wales with never before seen footage of Joe Strummer recording the soundtrack for When Pigs Fly.

Documentary about Cookie Mueller

This short documentary captures the poetry of the city’s storied skid row before its gentrification.

Produced for Glass Eye Pix as part of their 2008 Creepy Christmas Online Film Festival, in which each short was inspired by the inhabitants of a diorama advent calendar. Each filmmaker was assigned a specific date and given the props that were used in that window to use in their short. This is the third film in the series.

Produced for Glass Eye Pix as part of their 2008 Creepy Christmas Online Film Festival, in which each short was inspired by the inhabitants of a diorama advent calendar. Each filmmaker was assigned a specific date and given the props that were used in that window to use in their short. This is the third film in the series.