Robert Sidaway

A teenage orphan fights against the Red Army at the end of WWII and in the aftermath is 'adopted' by a Commissar. Years later he is sent to London during the Cold war to work for the KGB, where he questions his life.

The Doctor, Jamie and Zoe return to Earth and become embroiled in the schemes of Tobias Vaughn. They meet up with an old friend, Colonel (now Brigadier) Lethbridge-Stewart, and some old enemies, the Cybermen.

The Future. Robot labour and free energy make the creation of goods easy and automatic. Now people are continually supplied with more things than they can possibly consume.

In the mid-18th Century, as England and France battle over control of Canada, an epic romance between a peasant woman and a trapper unfurls

When teenagers Rachel and Grace travel inside a super-powered rainbow to China, they disturb nature's balance. Using Rachel's connection to the energy of the rainbow and with help from their new friend Xiao Cheng, they must race against time to save the Earth.

Four kids and a dog embark on the adventure of a lifetime -- the search for the end of the Rainbow. With the aid of computers and an irrepressible belief, they achieve the impossible, finding and riding the multicolored arc.

Through the years, Hammer's depiction of female vampires was consistently groundbreaking and always controversial, exploring the fine line between forbidden desire and the curse of the undead. This TV production contains only recycled clips with the only new addition being narration from Oliver Reed.

The wicked women of Hammer included such cult stars and screen legends as Bette Davis, Ingrid Pitt, Joan Fontaine, Martine Beswick, Tallulah Bankhead, Lizabeth Scott and more. This is nothing more than assembled clips from various Hammer productions narrated by Oliver Reed. It aired on Channel 4 in the UK in 1994 before select episodes were released on VHS.

Through the 1950s and 1960s, and running alongside production of the gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These low-budget suspense thrillers, often in black-and-white, typically had a twist at the end of the tale. [Wikipedia]

Through the 1950s and 1960s, and running alongside production of the gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These low-budget suspense thrillers, often in black-and-white, typically had a twist at the end of the tale. [Wikipedia]

Through the 1950s and 1960s, and running alongside production of the gothic horror films, Hammer made a series of what were known as "mini-Hitchcocks" mostly scripted by Jimmy Sangster, and directed by Freddie Francis and Seth Holt. These low-budget suspense thrillers, often in black-and-white, typically had a twist at the end of the tale. [Wikipedia]

A look at Hammer's war films.

Hammer Films remain on record as the most consistently successful and influential British film company in history. And while Hammer may be best-known for their notorious series of gory Dracula movies, bloody Frankenstein adventures and chilling, satanic epics, few films had a greater impact on the '60's than the unforgettable genre known as "Hammer Glamours." The "Hammer Glamour" epics delivered their own singular vision of history -- and especially pre-history -- with liberal doses of both flesh and fantasy. With special effects as eye-popping as the actresses, these films created puberty's essential bridge between the thrill of cool monsters and the sensation of gorgeous women. If you're a student of anthropology, this is a world you may not recognize. But if you're looking for a twisted vision of the past that only Hammer can provide, you've come to the right place. The Hammer Glamour legacy lives, and indeed the world has never been the same.

Hammer Films remain on record as the most consistently successful and influential British film company in history. And while Hammer may be best-known for their notorious series of gory Dracula movies, bloody Frankenstein adventures and chilling, satanic epics, few films had a greater impact on the '60's than the unforgettable genre known as "Hammer Glamours." The "Hammer Glamour" epics delivered their own singular vision of history -- and especially pre-history -- with liberal doses of both flesh and fantasy. With special effects as eye-popping as the actresses, these films created puberty's essential bridge between the thrill of cool monsters and the sensation of gorgeous women. If you're a student of anthropology, this is a world you may not recognize. But if you're looking for a twisted vision of the past that only Hammer can provide, you've come to the right place. The Hammer Glamour legacy lives, and indeed the world has never been the same.

A definitive collection of his very best work: The Very Best of Peter Sellers.