Karl Francis

For a young couple, the small cottage tucked away in a quiet village in the mountains of north Wales, a legacy from a distant, estranged uncle, is a dream come true. The one condition of the inheritance is that they keep the uncle's beloved pet cormorant. They soon discover, however, that the cormorant is no mere bird, but a foul and malignant creature that may exact a greater price than they are willing to pay. Filmed as part of the BBC series, "Screen Two".

Young aristocrat Anthony Raine returns home from India to find the farmers of Pembrokeshire protesting about the rates of a tollgate run by The Whitman Turnpike Trust, headed by the drunken Lord Sarn. So Raine dons a mask and, calling himself Rebecca, instructs his followers to dress as women as they attack the tolls, leading the common people to victory over their masters.

Portrait of a fractious Welsh village near Merthyr Tydfil. Life in the valley isn't what it was, there's no pit in Deri now, but the humour survives, and it's amazingly peaceful considering.

Portrait of a fractious Welsh village near Merthyr Tydfil. Life in the valley isn't what it was, there's no pit in Deri now, but the humour survives, and it's amazingly peaceful considering.

The rough urban life in a Welsh valley that focuses on Jo, a single mother who has just become pregnant by her married boyfriend Kevin.

The rough urban life in a Welsh valley that focuses on Jo, a single mother who has just become pregnant by her married boyfriend Kevin.

The story was inspired by the stay-down strikers in the 1930s who refused to leave the mines for three weeks. Ernie Bailey, one of the miners, relayed the story to director Karl Francis, but declined appearing in the film because HTV would not pay him on a scale comparable to Tom Jones. Mr. Bailey smoked to his dying day at the age of 99: always a staunch socialist.

Herbert Biberman struggles as a Hollywood writer and director blacklisted as one of The Hollywood Ten in the 1950s.

Herbert Biberman struggles as a Hollywood writer and director blacklisted as one of The Hollywood Ten in the 1950s.

Adapted from the short story "The Mouse and the Woman" by Dylan Thomas, it is a story set in the secluded valleys of Wales during the 1914-18 war. The story of a man who is as handy with his fists as with his poetic fantasy. His masculinity fascinates Gilda, the wife of the owner of the mine.

Adapted from the short story "The Mouse and the Woman" by Dylan Thomas, it is a story set in the secluded valleys of Wales during the 1914-18 war. The story of a man who is as handy with his fists as with his poetic fantasy. His masculinity fascinates Gilda, the wife of the owner of the mine.

About the oppression of the Welsh coal miners during the 19th century and early 20th century as seen through the the eyes of Gwen, a 110 year old woman.

A behind the scenes look at a theatre company formed by playwright Brian Friel and actor Stephen Rea. It contains footage of rehearsals and the performance in Derry of Three Sisters.

A behind the scenes look at a theatre company formed by playwright Brian Friel and actor Stephen Rea. It contains footage of rehearsals and the performance in Derry of Three Sisters.

A stark drama about one man's struggle with alcoholism and the impact this has on his family, friends, and work. His gradual disintegration is a reflection of the decaying mining community around him.

A stark drama about one man's struggle with alcoholism and the impact this has on his family, friends, and work. His gradual disintegration is a reflection of the decaying mining community around him.

Britain in the mid-1990s: a divided, violent nation where civil disorder and urban terrorism are on the increase. Scotland Yard detective Commander Jack Bentham is seconded to Wales to look into a series of shootings by police officers, and uncovers a complex web of deceit and corruption

A film about teenagers struggling to rebuild their damaged lives at a "reform" academy on the South Wales coast near Cardiff. All the students have been violated one way or another, but were encouraged by the school to build ambition based on their talents.

A young Welsh soldier on duty in Northern Ireland finds himself used as a political pawn, following a tragic incident during a violent clash with some of the local agitators. The Guardian proposed that "if Spielberg's ET, in the immortal words of Pauline Kael, was a bliss out, Karl Francis' 'Boy Soldier' is a bleed out for sheer fist shaking emotionalism, it would be hard to find another British film of recent years to beat it."

A young Welsh soldier on duty in Northern Ireland finds himself used as a political pawn, following a tragic incident during a violent clash with some of the local agitators. The Guardian proposed that "if Spielberg's ET, in the immortal words of Pauline Kael, was a bliss out, Karl Francis' 'Boy Soldier' is a bleed out for sheer fist shaking emotionalism, it would be hard to find another British film of recent years to beat it."

Teaming up with director Karl Francis, Dafydd Hywel speaks to some of the coal miners and their wives who played a huge part in the Miners' Strike of 1984-5, and their descendants, who have inherited a Wales without coal mines.

Teaming up with director Karl Francis, Dafydd Hywel speaks to some of the coal miners and their wives who played a huge part in the Miners' Strike of 1984-5, and their descendants, who have inherited a Wales without coal mines.

Independent Welsh filmmaker Karl Francis uses amateur and professional actors to explore the community impact of the 1975 closure of the Ogilvie Colliery in the Rhymney Valley, a few miles from his family home. Critical of the National Coal Board and the trade unions, the film focuses on the fractious interactions between politicians and union leaders, teasing out the forces that are attempting to divide the community.

Independent Welsh filmmaker Karl Francis uses amateur and professional actors to explore the community impact of the 1975 closure of the Ogilvie Colliery in the Rhymney Valley, a few miles from his family home. Critical of the National Coal Board and the trade unions, the film focuses on the fractious interactions between politicians and union leaders, teasing out the forces that are attempting to divide the community.

Welsh investigative journalists set out to cover the Troubles in Northern Ireland only to unearth censorship and corruption back home.