Zelito Viana

Originally produced for German TV, Improvised and Purposeful is a firsthand look at the "Cinema Novo" movement (otherwise known as the 'Brazilian New Wave'). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.

João Goulart (known as Jango) had been democratically elected president of Brazil, but was expelled from office after the coup of April 1, 1964. After that, Jango lived in exile in Argentina, where he died in 1976. The circumstances of his death in the neighboring country were not well explained today. His body was buried immediately after his death, raising the suspicions of premeditated murder. This documentary brings the issue back to the fore and tries to publicly clarify some obscure facts of the history of Brazil.

Armando Costa was one of Brazil's most successful authors, both in terms of audience and critical acclaim, responsible for shows like "A Grande Família" and "Malu Mulher." Despite this, he didn't care about fame or signing his works.

The documentary "Depois do Transe" covers the entire process of creating the masterpiece "Entranced Earth", which was released and awarded at the Cannes Film Festival in 1967. "Entranced Earth" charmed the world and won great admirers such as filmmaker Martin Scorsese and the writer Marguerite Duras, who at the time considered a "fabulous filmic opera."

Cacaso, a Brazilian poet, lived in Rio de Janeiro. Born Antonio Carlos de Brito (1944-1987) he was one of the leaders of the marginal poetry movement. Cacaso filled notebooks not only with poems but reflections, drawings and collages. He also became a lyricist and partner of celebrated songwriters such as Tom Jobim, Edu Lobo, Toninho Horta, João Donato and Sivuca.

Documentary on "Antonio das Mortes", Glauber Rocha's 1969 film.

The movie "Augusto Boal and the Theatre of the Oppressed" shows the path of the dramaturgo Augusto Boal at the creation of a theatre that has as objective to transform those who participate it in a spiral of changes, in an oppressing society. Along the trajectory we see Boal's intellectual search and the transformations of the Brazilian society, from the 60s to nowadays. The spectator will meet the numerous uses of the Theatre of the Oppressed around the world (there are groups in 77 countries) and how they manifest in different situations, characterized by the relation between the oppressor and the oppressed, from the biggest to the smallest powers.

Filmmaker Roberto Farias' passion for cinema is revealed by his daughter Marise Farias through an intimate look, from childhood to his political, economic and cultural role in Brazilian Cinema. Through Roberto Farias himself and friends such as Luís Carlos Barreto, Cacá Diegues and Zelito Viana, the film tells the stories of the director who achieved a direct dialogue with the public through successes such as O Assalto ao Trem Pagador (1962), the trilogy with singer Roberto Carlos (1968 to 1971) and Pra Frente Brasil (1982). Texts from an unpublished book of memories are interpreted by his brother, actor Reginaldo Faria.

Documentary that addresses, through the testimony of directors and actors, the work of Dib Lutfi, considered one of the greatest photographers of Brazilian cinema.

Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.

No synopsis available yet.

No synopsis available yet.

This film shows people with constant psychological and social conflicts: the violence among outlaws, conflicts between man and woman, police and society.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The historical, political, and social context of Brazil in the 1960s, 1970s, and 1980s, and the impact of each decade on the life and work of the acclaimed actress Marília Pêra.

Middle-class teenage girl has a serious boyfriend that her parents approve of. Suddenly, she meets another boy with whom she is shown to have a greater identification.

Middle-class teenage girl has a serious boyfriend that her parents approve of. Suddenly, she meets another boy with whom she is shown to have a greater identification.

Middle-class teenage girl has a serious boyfriend that her parents approve of. Suddenly, she meets another boy with whom she is shown to have a greater identification.

No synopsis available yet.

No synopsis available yet.

Erotic comedy in five segments, starring the same actor, Chico Anysio: O Torneio (The Tournament), A Boca (The Mouth), O Filminho (The Short Film), A Suspeita (The Suspicion) and O Apartamento (The Apartment).

Erotic comedy in five segments, starring the same actor, Chico Anysio: O Torneio (The Tournament), A Boca (The Mouth), O Filminho (The Short Film), A Suspeita (The Suspicion) and O Apartamento (The Apartment).

Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.

Four love stories which portray a wide gamut of emotions and desires against the backdrop of Rio de Janeiro. "Elephant's Stomp" : the story of a highway patrol officer who is infatuated with a mulatto dancer at a local nightclub. "Drao" : a publicity man and a boutique owner who face a crises in their marriage. "You Are Beautiful" : two homeless teenagers seek love amidst their personal misery. "Samba of the Great Passion" : a book maker who is charmed and captivated by the voice of a female singer coming from a building across the street. Characters in search of love in order to escape from the boredom, loneliness and helplessness of their lives.

An essay around the streets, as an homage to Fernando Pessoa

The movie "Augusto Boal and the Theatre of the Oppressed" shows the path of the dramaturgo Augusto Boal at the creation of a theatre that has as objective to transform those who participate it in a spiral of changes, in an oppressing society. Along the trajectory we see Boal's intellectual search and the transformations of the Brazilian society, from the 60s to nowadays. The spectator will meet the numerous uses of the Theatre of the Oppressed around the world (there are groups in 77 countries) and how they manifest in different situations, characterized by the relation between the oppressor and the oppressed, from the biggest to the smallest powers.

A report on Sarney's inauguration as the governor of the Maranhão state. His promises are heard alongside images of the grim reality.

Little Indian boy survives his tribe massacre, growing up together with his wish for revenge and his quest for his own identity. Based on a true story.

Little Indian boy survives his tribe massacre, growing up together with his wish for revenge and his quest for his own identity. Based on a true story.

A collection of testimonies from Brazilian indigenous people about the interests of FUNAI (National Foundation for Indigenous Peoples), multinational corporations, and large landowners behind the disastrous policy of indigenous emancipation in Brazil. Narrated by Fernanda Montenegro.

A collection of testimonies from Brazilian indigenous people about the interests of FUNAI (National Foundation for Indigenous Peoples), multinational corporations, and large landowners behind the disastrous policy of indigenous emancipation in Brazil. Narrated by Fernanda Montenegro.

A collection of testimonies from Brazilian indigenous people about the interests of FUNAI (National Foundation for Indigenous Peoples), multinational corporations, and large landowners behind the disastrous policy of indigenous emancipation in Brazil. Narrated by Fernanda Montenegro.

In search of a better life, Luzia leaves the Northeast of Brazil and goes to Rio de Janeiro, looking for her fiance who went first to pave their way. Alone in the Marvelous City, she is forced to accept the friendship and protection of Calunga and, later, the company of Inácio.

No synopsis available yet.

A day in the life of Brazilian president Juscelino Kubitschek, in a troubled period of his term, while he maintains a secret love affair.