Lai Cheuk Nam

A silent, monochromatic mutiny against the machinery of time. An 'ownerless' man navigates an urban purgatory, bearing forensic witness to the solitude of the discarded.

A quiet study of an afternoon. In the soft light of Room 1914, the film captures the gentle rhythms of a family: the hum of a fan, the pouring of water, and the dignity of daily labor. A poetic observation of life's textures.

A silent, monochromatic mutiny against the machinery of time. An 'ownerless' man navigates an urban purgatory, bearing forensic witness to the solitude of the discarded.

A silent, monochromatic mutiny against the machinery of time. An 'ownerless' man navigates an urban purgatory, bearing forensic witness to the solitude of the discarded.

Three men, bound by alcohol and silence, engage in a spiritual stalemate. A single die becomes the sole arbiter of their existence. In this monochrome purgatory, a simple game becomes a visceral struggle against chance and human entropy.

Three men, bound by alcohol and silence, engage in a spiritual stalemate. A single die becomes the sole arbiter of their existence. In this monochrome purgatory, a simple game becomes a visceral struggle against chance and human entropy.

"When I met the dog, it was searching for food, and I was completely powerless to do. So I record this moment, this brief yet eternal moment " Similar to human survival.

An experimental manifesto exploring post-colonial collapse through glitch aesthetics. Juxtaposing noise and fragmented text, the film captures the sensory overload of historical displacement within a kaleidoscopic purgatory.

A 33-minute dual-channel video installation. Through the Sisyphean metaphor of 'The dogs chasing their tails', it juxtaposes subterranean persistence with solar indifference, capturing the circularity of social alienation in Hong Kong.

A quiet study of an afternoon. In the soft light of Room 1914, the film captures the gentle rhythms of a family: the hum of a fan, the pouring of water, and the dignity of daily labor. A poetic observation of life's textures.

A quiet study of an afternoon. In the soft light of Room 1914, the film captures the gentle rhythms of a family: the hum of a fan, the pouring of water, and the dignity of daily labor. A poetic observation of life's textures.

A minimalist study of nature's expiration. The film isolates a butterfly's final moments against the city's mechanical heartbeat. Through high-contrast imaging, it observes the collision between life and industrial entropy.

A minimalist study of nature's expiration. The film isolates a butterfly's final moments against the city's mechanical heartbeat. Through high-contrast imaging, it observes the collision between life and industrial entropy.