Camera
Bastián Fernández Osorio
Born
1998-04-11 (28)
Place of birth
Santiago de Chile, Chile
Known for
Camera
Credits
2 titles
Bastián Osorio, previously credited as Bastián Fernández, is a Chilean photographer, director, and cinematographer based in Puerto Varas. His work explores observation, atmosphere, and the emotional relationship between landscape and memory. His main works include Eyes on Santiago, Red Blood, and Kevin Has No Name. He also worked in fashion film and fashion photography before shifting toward analog photography, developing a poetic and naturalistic approach focused on the southern forests of Chile.
Known for
NRKevin (14) is a teenager who escaped from a juvenile detention home (SENAME) in Valparaíso. Now, he wanders the streets of Santiago, trying to forget a crime he was accidentally involved in years ago. After learning about the death of a girl from the same institution, Kevin decides to return to Valparaíso to visit her grave. However, when he reunites with Jeremy (16), his former partner in crime, he is forced to confront his past and question whether a future is still possible for them.
Kevin has no name
2022
NRAn observational journey through downtown Santiago during the post-lockdown period, where thousands of workers flood the city each day, exposing the fragile line between survival, exhaustion, and collective abandonment in the midst of the pandemic.
Eyes on Santiago
2021
Behind the camera
NRKevin (14) is a teenager who escaped from a juvenile detention home (SENAME) in Valparaíso. Now, he wanders the streets of Santiago, trying to forget a crime he was accidentally involved in years ago. After learning about the death of a girl from the same institution, Kevin decides to return to Valparaíso to visit her grave. However, when he reunites with Jeremy (16), his former partner in crime, he is forced to confront his past and question whether a future is still possible for them.
Kevin has no name
2022
NRAn observational journey through downtown Santiago during the post-lockdown period, where thousands of workers flood the city each day, exposing the fragile line between survival, exhaustion, and collective abandonment in the midst of the pandemic.
Eyes on Santiago
2021