Juan Francisco Ossa Sandoval

A rainy bus ride becomes a poetic reflection on memory, love, and the small details of urban life. Through imagined cinema, conversations, and drifting memories, two voices travel across a city suspended in nostalgia and time.

An audiovisual letter that connects an imagined Kyrgyzstan with the filmmaker’s inner world, blending personal illness, memory, and political echoes into a poetic reflection on distance and belonging.

Kevin (14) is a teenager who escaped from a juvenile detention home (SENAME) in Valparaíso. Now, he wanders the streets of Santiago, trying to forget a crime he was accidentally involved in years ago. After learning about the death of a girl from the same institution, Kevin decides to return to Valparaíso to visit her grave. However, when he reunites with Jeremy (16), his former partner in crime, he is forced to confront his past and question whether a future is still possible for them.

2030. After the latest technological revolution driven by artificial intelligence, cinema has been declared extinct and films are considered obsolete. When Margot, an unemployed film critic, discovers a poster for a clandestine film festival, she embarks on a journey that challenges everything she believes about memory, cinema, and what it means for a film to survive.

No synopsis available yet.

A rainy bus ride becomes a poetic reflection on memory, love, and the small details of urban life. Through imagined cinema, conversations, and drifting memories, two voices travel across a city suspended in nostalgia and time.

A rainy bus ride becomes a poetic reflection on memory, love, and the small details of urban life. Through imagined cinema, conversations, and drifting memories, two voices travel across a city suspended in nostalgia and time.

An audiovisual letter that connects an imagined Kyrgyzstan with the filmmaker’s inner world, blending personal illness, memory, and political echoes into a poetic reflection on distance and belonging.

An audiovisual letter that connects an imagined Kyrgyzstan with the filmmaker’s inner world, blending personal illness, memory, and political echoes into a poetic reflection on distance and belonging.

Kevin (14) is a teenager who escaped from a juvenile detention home (SENAME) in Valparaíso. Now, he wanders the streets of Santiago, trying to forget a crime he was accidentally involved in years ago. After learning about the death of a girl from the same institution, Kevin decides to return to Valparaíso to visit her grave. However, when he reunites with Jeremy (16), his former partner in crime, he is forced to confront his past and question whether a future is still possible for them.

Kevin (14) is a teenager who escaped from a juvenile detention home (SENAME) in Valparaíso. Now, he wanders the streets of Santiago, trying to forget a crime he was accidentally involved in years ago. After learning about the death of a girl from the same institution, Kevin decides to return to Valparaíso to visit her grave. However, when he reunites with Jeremy (16), his former partner in crime, he is forced to confront his past and question whether a future is still possible for them.

2030. After the latest technological revolution driven by artificial intelligence, cinema has been declared extinct and films are considered obsolete. When Margot, an unemployed film critic, discovers a poster for a clandestine film festival, she embarks on a journey that challenges everything she believes about memory, cinema, and what it means for a film to survive.

2030. After the latest technological revolution driven by artificial intelligence, cinema has been declared extinct and films are considered obsolete. When Margot, an unemployed film critic, discovers a poster for a clandestine film festival, she embarks on a journey that challenges everything she believes about memory, cinema, and what it means for a film to survive.

No synopsis available yet.