Eduardo Andrés Díaz

In an abandoned city after a zombie epidemic, José walks the streets looking for supplies in houses, stores and taps to survive. He lives with the freedom that he did not have before the infectious outbreak. At the same time, Matías and Andrea arrive in the same city and are gathering supplies to meet his mother again and go to a safe area. Then they meet.

The deceased Venezuelan awaits, uncertain of what comes next. According to the machines, the voyage to paradise starts soon. But in digital purgatory, bureaucracy and control continue.

A machine-voice makes a "sad film of his homeland" for a dying patient to ease its passing: footage from Kennedy's visit to Venezuela in 61' creeps through montage errors, and a seemingly endless poem comes alive one last time.

A Venezuelan city is emptying. A labor less priest struggles with a sonic sleep disorder while trying to safe-keep his meek buffalo from being taken. As the intentions of the remaining ones become more desperate, the priest’s malaise becomes more alive.

In an abandoned city after a zombie epidemic, José walks the streets looking for supplies in houses, stores and taps to survive. He lives with the freedom that he did not have before the infectious outbreak. At the same time, Matías and Andrea arrive in the same city and are gathering supplies to meet his mother again and go to a safe area. Then they meet.

The deceased Venezuelan awaits, uncertain of what comes next. According to the machines, the voyage to paradise starts soon. But in digital purgatory, bureaucracy and control continue.

The deceased Venezuelan awaits, uncertain of what comes next. According to the machines, the voyage to paradise starts soon. But in digital purgatory, bureaucracy and control continue.

The deceased Venezuelan awaits, uncertain of what comes next. According to the machines, the voyage to paradise starts soon. But in digital purgatory, bureaucracy and control continue.

A machine-voice makes a "sad film of his homeland" for a dying patient to ease its passing: footage from Kennedy's visit to Venezuela in 61' creeps through montage errors, and a seemingly endless poem comes alive one last time.

A Venezuelan city is emptying. A labor less priest struggles with a sonic sleep disorder while trying to safe-keep his meek buffalo from being taken. As the intentions of the remaining ones become more desperate, the priest’s malaise becomes more alive.