Dörte Eißfeldt

For a few days now, Carlo has not been feeling so terribly tired. He is slowly beginning to enjoy this fluctuating position between bed and window. The room becomes his cabin again, drifting lazily along with him. However, Peter's unexpected arrival upsets Carlo; the boy's presence annoys him.

The eye constantly scans everything in sight, and every image we see is constantly being recomposed from what the fovea has previously stored.

A moment of transition—from office to office: the administration and production of ship propellers gives way to the administration and production of films, the film office. The new Hamburg Filmhaus consists of a wide variety of rooms, staircases, corridors, and halls. Its new use by filmmakers is beginning to spread: posters, telephones, large tables with many chairs, full ashtrays...

For a few days now, Carlo has not been feeling so terribly tired. He is slowly beginning to enjoy this fluctuating position between bed and window. The room becomes his cabin again, drifting lazily along with him. However, Peter's unexpected arrival upsets Carlo; the boy's presence annoys him.

The eye constantly scans everything in sight, and every image we see is constantly being recomposed from what the fovea has previously stored.

The eye constantly scans everything in sight, and every image we see is constantly being recomposed from what the fovea has previously stored.

A moment of transition—from office to office: the administration and production of ship propellers gives way to the administration and production of films, the film office. The new Hamburg Filmhaus consists of a wide variety of rooms, staircases, corridors, and halls. Its new use by filmmakers is beginning to spread: posters, telephones, large tables with many chairs, full ashtrays...