Camera
Steve Yedlin
Born 1975-09-25 · USA
Steven Mark Yedlin, ASC (born September 29, 1975) is an American cinematographer who studied at the USC School of Cinematic Arts. He is best known for his collaboration with director Rian Johnson in his films. Yedlin has been a member of the American Society of Cinematographers since 2015. Some of his best-known works include Brick, The Brothers Bloom, Looper, Star Wars: The Last Jedi, and Knives Out. Additional credits include the films San Andreas and Carrie. Description above from the Wikipedia article Steve Yedlin, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Acting credits
5.5A hapless young man attempts to return a lost wallet to a woman as she ventures through the city of San Fransisco.
Hey Lady, You Dropped Your Wallet!!!
1993
NRWith the release of Star Wars: The Last Jedi on Digital HD, fans are now able to get an inside look at one of the of the epic space battles in the film, as well as a pivotal showdown between mother and son. The featurette called "Lighting the Spark: Creating the Space Battle" goes in depth on every aspect of production for the space showdowns between the Resistance and the First Order. The clips give great insight into writer and director Rian Johnson's vision as well as how Lucasfilm and Industrial Light and Magic made it happen.
Lighting the Spark: Creating the Space Battle
2018
NRIndustry cinematographer Steve Yedlin (Star Wars: The Last Jedi, Knives Out, Looper) presents issues with the current implementations of and thinking around HDR in the movie business and gives potential solutions.
Debunking HDR
2025
Behind the camera
5.5A hapless young man attempts to return a lost wallet to a woman as she ventures through the city of San Fransisco.
Hey Lady, You Dropped Your Wallet!!!
1993
5.5A hapless young man attempts to return a lost wallet to a woman as she ventures through the city of San Fransisco.
Hey Lady, You Dropped Your Wallet!!!
1993
NRIndustry cinematographer Steve Yedlin (Star Wars: The Last Jedi, Knives Out, Looper) presents issues with the current implementations of and thinking around HDR in the movie business and gives potential solutions.
Debunking HDR
2025