Antoni Majak

In a quiet, lonesome Polish city, a neglected ten year old girl kidnaps a pampered toddler and pretends to be her mother.

A film that uses animation as a tool to spastify the various stages of cinema development. It is a play with form and juggling of genres, with Zbigniew Rybczynski collaborating. The theme of this work can be considered the transience and inevitability of fate, which is symbolized by a painting hung on the wall showing hunters in a boat. Generations of a certain family meet in the living room, up to the then present day, the mid-1970s.

The monotonous everyday life of an elderly couple is recorded almost silently in a time frame of three days. A woman and a man who have lived their whole lives together no longer have anything in common, apart from habit and the arguments that separate them.