Janusz Majewski

Two strangers, Jerzy and Marta, accidentally end up holding tickets for the same sleeping chamber on an overnight train to the Baltic Sea coast. Also on board is Marta's spurned lover, who will not leave her alone. When the police enter the train in search of a murderer on the lam, rumors fly and everything seems to point toward one of the main characters as the culprit.

The film is a portrait of Zygmunt Samosiuk, a great forgotten cinematographer, who died in 1983. As a director of photography he worked on such films as The Birch Wood, Landscape Afterthe Battle and Austeria. He introduced, among others, hand‑held camera shots, colour lights and shooting at minimum exposure. Reminiscences of his colleagues and friends, including Andrzej Wajda and Piotr Szulkin, show a gifted artist and a modest man who valued his work above all.

Janusz Majewski, an outstanding film director seen through the eyes of his friend, Stefan Szlachtycz. The passion for literature and film in Janusz Majewski's life is united by the motif of a dream - the film's title alludes to both Pedro Calderon de la Barca's drama and cinema as a dream factory.

The main character of "Żyłem siedemnaście razy" reflects on his childhood in Gwoździec and tells a story about the beginning of his career as a filmmaker.

A group of young Łódź hoodlums spends their time shoplifting, partying and drinking heavily, until they are faced with serious consequences of their reckless behaviour.

A sociologist nearing middle-aged returns to Poland after several years of giving lectures abroad. The changing economy of the country and business successes of the people around him inspire him to venture out into the deep and unpredictable world of capitalism himself.

No synopsis available yet.

In a rural Catholic village, young Gosia tends cattle and lives an innocent, sheltered life. One summer day, while bathing in the river, she is unknowingly observed by a mysterious painter. When he later reveals his portrait of her, Gosia’s initial shame gives way to curiosity, drawing her into an awakening of desire and a confrontation with temptation.

In a rural Catholic village, young Gosia tends cattle and lives an innocent, sheltered life. One summer day, while bathing in the river, she is unknowingly observed by a mysterious painter. When he later reveals his portrait of her, Gosia’s initial shame gives way to curiosity, drawing her into an awakening of desire and a confrontation with temptation.

In 1931, just before the New Year, in a house of architect Henryk Zaremba scream rips the night. The daughter of Zaremba is found killed in her bedroom, obviously killed with a pickaxe. The police arrives and starts the investigation. Rita Gorgonova, the governess of the girl and also lover of Zaremba becomes the main suspect.

In 1931, just before the New Year, in a house of architect Henryk Zaremba scream rips the night. The daughter of Zaremba is found killed in her bedroom, obviously killed with a pickaxe. The police arrives and starts the investigation. Rita Gorgonova, the governess of the girl and also lover of Zaremba becomes the main suspect.

A documentary short constructed from the photo album of a German officer, tracing his movements across multiple World War II fronts. The film transforms private souvenirs into stark testimony, exposing how personal mementos intersect with the broader history of the war.

A documentary short constructed from the photo album of a German officer, tracing his movements across multiple World War II fronts. The film transforms private souvenirs into stark testimony, exposing how personal mementos intersect with the broader history of the war.

No synopsis available yet.

No synopsis available yet.

A documentary portrait of the Kurylewicz Quintet at work in the recording studio, Opus Jazz captures the stop-and-start process of rehearsal before the musicians lock into rhythm and achieve full improvisational flow. Majewski’s film highlights both the discipline and spontaneity of modern jazz in 1960s Poland.

A documentary portrait of the Kurylewicz Quintet at work in the recording studio, Opus Jazz captures the stop-and-start process of rehearsal before the musicians lock into rhythm and achieve full improvisational flow. Majewski’s film highlights both the discipline and spontaneity of modern jazz in 1960s Poland.

A boy plays alone in a well of a big city yard. His mother, being in their tenement flat, passes him an empty bottle using a string. The boy has to go to a shop. His alcohol fun begins – at an off-licence shop, at a purchasing centre, at a gate.

A boy plays alone in a well of a big city yard. His mother, being in their tenement flat, passes him an empty bottle using a string. The boy has to go to a shop. His alcohol fun begins – at an off-licence shop, at a purchasing centre, at a gate.

A pleasant, open-faced young man comes to live in a boarding house with three peculiar women.

A pleasant, open-faced young man comes to live in a boarding house with three peculiar women.

A Silent broad comedy about upper class life

A Silent broad comedy about upper class life

A man enters a restaurant and, after trying and failing to attract the attentions of the waiter, an absurd battle of wills commences.

A man enters a restaurant and, after trying and failing to attract the attentions of the waiter, an absurd battle of wills commences.

Ja gorę! tells the story of a Pogorzelski nobleman who settles in a ruined castle in Samsonów, determined to restore it, only to be haunted by the ghost of its former owner. A parody of gothic horror literature and cinema, the short is based on a tale by Henryk Rzewuski and was produced as part of the Polish television series Opowieści niezwykłe (1967–1968).

Ja gorę! tells the story of a Pogorzelski nobleman who settles in a ruined castle in Samsonów, determined to restore it, only to be haunted by the ghost of its former owner. A parody of gothic horror literature and cinema, the short is based on a tale by Henryk Rzewuski and was produced as part of the Polish television series Opowieści niezwykłe (1967–1968).

A stark, two-character chamber drama about Joanna, a middle-aged woman who returns from the camps after World War II. Seeking out her deceased husband’s mother, she cannot bring herself to reveal the truth about his fate. Instead, she invents a story to spare the grieving woman further pain. What begins as a compassionate lie soon entangles Joanna in an ever-growing web of deception, as more people who know the truth become drawn into her fragile fiction.

A stark, two-character chamber drama about Joanna, a middle-aged woman who returns from the camps after World War II. Seeking out her deceased husband’s mother, she cannot bring herself to reveal the truth about his fate. Instead, she invents a story to spare the grieving woman further pain. What begins as a compassionate lie soon entangles Joanna in an ever-growing web of deception, as more people who know the truth become drawn into her fragile fiction.

A young scientist is kidnapped and taken to a house where his former mentor, a professor, is conducting experiments on shrinking humans.

A young scientist is kidnapped and taken to a house where his former mentor, a professor, is conducting experiments on shrinking humans.