Ana Zanatti

Algarve, late 90s. Following the death of her grandmother, Milene - a strong young woman full of life despite a slight mental handicap - divides her life between her family of notables and a Cape Verdean family that keeps her going, whom she met when her grandmother died. The wind that whistles in the cranes plunges us into the world of two families against the backdrop of Portugal's recent past.

Inspired by the biography of the portuguese painter Maria de Lourdes Ribeiro, known as Maluda, who found the stage of her art in Lisbon.

A retrospective on the life and work of Portuguese director António-Pedro Vasconcelos.

The hypochondriac Sebastião and his not so normal family must save the country from the prime minister's plan of selling the country to China, Germany, France and Angola, and show that Portugal is not for sale.

A courtroom. A divorce. A drama told in flashback. In a courtroom story, the viewer will witness the divorce of Clemente and Emília, in which the division of property and custody of a child are discussed. But something strange slowly begins to emerge in the testimonies: from the clash between the two versions of the same couple's experience, the truth will come to light.

Portugal, 1917. The country is experiencing a great political and social agitation and it is said that in Fatima the virgin appeared to three little shepherds. Salomé, a young lady from the province, is one of the many girls who cheers Lisbon brothels, but she is such a special girl that a rich man invites her to live in his house and presents her to the high society of Lisbon. But her past will not stop chasing her and Salomé, who thought that this would be the beginning of a new life, will eventually lose everything by becoming an involuntary character of this miracle that agitated the country...

Laura works as a newscaster and José Maria as a stockbroker, and while they live in the same housing complex, their lives never cross directly. Nevertheless, he watches her from a distance, seeing all her movements without her knowledge. But their lives finally meet when he is invited onto her news program. From there, a romance begins which coincides with the desire of two beings who finally find a reason to seek love once again.

A man who grew up in the '80s, in the midst of the pirate-radio scene, works now at a big, modern radio station, but still holds on to his love for a mysterious female lead singer of a now long gone band. He sets himself to start another pirate-radio, now unlegalized, trying to find her.

Ricardo Monteiro is a successful television producer specialising in reality shows. He is 45 years old and he has just received an award for the most popular television show of the year, when he receives an ultimatum from his 18-year-old daughter Leonor. If he does not come home that same evening to celebrate her birthday he will never see her again. Ricardo is distracted by business or other commitments and he is too late for the last flight home. When he returns next day the apartment is empty and Leonor is gone. At first Ricardo thinks that it is only a game, but there are no phone calls or messages and after a while he gets worried and starts looking for her. He discovers that she has quit school without telling him and that she has lost all contact with her old friends. She has become a complete stranger.

The anniversary, celebrating the thirty years of the marriage of Francisco and Leonor Teixeira, celebrated on their family farm. It is time to party and everyone party with the Teixeira's. Well, almost everyone. Ricardo, the youngest son, does not speak with his father for five years.

A technical problem aboard a transatlantic flight forces a plane to land in Porto Santo, the small island of Madeira's archipelago where, according to a legend, Christopher Columbus the 15th century navigator, lived for a while and entertained a sexual relationship with a widow and her nubile daughter. A girl photo journalist profits to stay the extra-needed days for repair, to visit the island - and eventually she'll become part of complex relationships among some of the secluded people of the island. Also, a yacht lost in the high seas in 1947 reappears from the misty horizon 50 years later - to unite Fanny and João, a contemporary navigator.

Dois Dragões follows a small dog on an adventure in a Chinese restaurant, where its owner (Ana Zanatti) goes to have dinner with her daughter (Beatriz Batarda). Terrorised by the possibility of being turned into Chop Suey, the dog passes a frightening night, running through the restaurant and hearing the telenovela-like conversations taking place at the different tables. With the camera placed in the dog’s perspective, this short film acts as an amusing panorama of Lisbon society at the end of the 20th century.

A newspaper reporter comes across a man and woman arguing on the beach, and after obligingly driving the woman around when she seeks him out, he takes her back to discover that the man has been murdered. The woman takes off, but the reporter, after many twists and turns, runs into her on a train. They start a relationship, but he had better pay closer attention to how he got to know her in the first place.

16-year-old Maria is forced into Serra D'Aires convent, secretly run by Satanists.

Alentejo 1975. The Police associate a group of traveling players with a strike of agricultural workers. The action takes place in the open space and harsh heat of the Alentejo. With the connivance of Lianor, the troupe enters the palace of Don Gonzalo an old aristocrat. The gentleman is obsessed by visions of great past deeds in a universe of ghosts. This was the first example of militant cinema in Portugal after the end of the Estado Novo dictatorship, exploring the world after the Carnation Revolution and its contradictions.

In an imaginary future, Portugal consists of an association of states - North and South - with zones of specific influence. City under vigilance, Lisbon is inhabited by a repressed and militarized population. Maria and António stand out in this city and surrender themselves to a submersive love. 1978

Mário Gonçalves, a high school teacher threatened with death due to cancer, spends the last days of his life in the village where he was born, in the heart of Serra da Estrela. There, he expresses his talent as a painter in the intimate decoration of an abandoned chapel. This is also the twilight hour of rebellious memories: love and precariousness, choices and contingency, perennial dissatisfaction...

Black and white with color photography is used to tell the story of 12 would be demonstrators waiting for re-enforcements to show them the way. the group spends their time talking about love, religion, sex and the war. The meeting degenerates into a drunken orgy before the police mercifully break up the group and stops the film from continuing. The film was banned in Portugal. - Dan Pavlides, Rovi

The conventional love triangle—the wife, the man (coffee exporter), the other woman (his secretary). Faced with the discovery of infidelity, a frivolous woman is forced to give way to her rival, the mother of her husband's child. She therefore decides to leave for the metropolis and start a new life, against all odds... Fate will bring the couple back together, in dramatic circumstances, with a glimmer of happiness.