Graciela Borges

The story of rebel gaucho Martin Fierro, his people, and their life in the Argentine Pampas. Based on José Hernández's epic poem.

The head of a criminal gang has all the power among his men until one decides to testify against him.

Risa, after her father's death, discovers she has the ability to communicate with him from beyond the grave. As she explores this supernatural connection, she faces emotional challenges and family secrets that will test her faith in what she thought was possible.

A vagabond receives a large fortune as an inheritance and summons his peers to decide what to do with it.

Fernandez is a lonely man leading a lonely life. All he does is work for an old man in a hardware store. But all that changes, when he meets the girl of his dreams... and her family.

Against the backdrop of a military dictatorship, Eugenia is reunited with her estranged family following her father’s stroke and is forced to confront dark secret.

A group of old actors and filmmakers tries to resist the efforts of a young couple to kick them out of their mansion.

Amid the sweltering summer heat in northern Argentina, two middle-class families retreat to a crumbling country estate and a modest townhouse, where strained relationships, simmering tensions, and the presence of children and servants quietly expose the fractures of family life. Between idle days, gossip, and unspoken desires, the boundaries of class, tradition, and faith are reflected in their everyday interactions.

A portrait of the bond between a filmmaker great-granddaughter and her great-grandmother, photographer Annemarie Heinrich. Through this relationship, Mariana explores a shared obsession: what it means to portray and reveal someone.

A suburban girl struggles to become a star.

A married man's death puts his widow and mistress in an unusual living arrangement.

During the yellow fever epidemic of 1870, a fugitive enters the mansion where three women had locked themselves in.

In the 60s and thanks to the epistolary exchange, the young filmmaker Manuel Antín and the famous writer Julio Cortázar devised four films. An ocean away, a fruitful collaboration and genuine friendship are born.

Documentary about Fernando Iglesias, “Tacholas”, a Spanish actor who arrived in Buenos Aires in 1929 and participated in 52 national films.

The story of two strangers who decide to overcome distance and loneliness, turning a casual meeting into an opportunity for a new beginning.

A separated woman faces her future and revises her goals.

The priest Mario Pantaleo discovers he has some power to diagnose and cure diseases through the laying on of hands. But the police and the church hierarchy will against him.

Upon learning of the murder of a friend, a police inspector sets out to take justice on his own. This attitude, contrary to his usual convictions, will gradually destroy him.

This routine drama set in Argentina during the 1930s draws parallels between a family patriarch and a political despot who stoops to any corrupt means to increase his power and wealth. The parallels are easy to make because the man is the same in both cases. The grandfather in the family has a rigid, tight-fisted control over his grandchildren, who eventually begin to rebel against his authoritarian and ironically puritanical behavior. At first, there is no real awareness of his opposite, criminal behavior outside the home. But as one of the grandsons begins to mature in his political savvy, the grandfather comes under well-deserved fire at last.

When his pet is killed by a probe from earth, Mercano, a Martian, travels to earth angered. Landing in Buenos Aires, at first noone takes any notice of him.

Mario Soffici's last film. The story is about a beautiful young woman who is criticized by the town's old gossip women and is defended by a generous priest. She has an amorous relationship with a young orphan.

It's about three women, three stories, or perhaps a single story in different projections of time and space. The Mistress wishes to unravel the meaning of being a woman is the victim of Hollywood. Ana is the product of a society ruled or dominated by men.

In this drama, a still-young grandmother has a suitor whose son is suffering from an incurable illness. The woman knows that the son has fallen in love with her granddaughter, but the granddaughter does not reciprocate his feelings. Convinced she should do something about that situation, grandmother talks her granddaughter into going on a trip to Paris with the young man -- intent on bringing the two together. But this simple plan, it turns out, has unforeseen consequences

A woman who has been traumatized by her brother's accidental death from electrocution in the subways of Buenos Aires learns to readjust.