Rudolf Österreicher

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Film version of the operetta by Emmerich Kalman. Victor has won 10 000 Mark with his ceiling painting. In the local pub, he celebrates his triumph. Countess Alexandra happens to drop into the pub too, and is thought to be a model by the sponsor of the prize, Count Meredith. Victor soon has to save her from an embarassing misunderstanding. The two men insult each other and Victor loses his prize.

Fred von Wellingen is a wealthy industrialist, part of a large family-owned corporation. Fred has fallen for Lia, a comely bartender in the Berlin Cabaret. He proposes to her, much to the horror of his family, which considers Lia and her unsophisticated father far below their caste. The family convinces Fred to give up the girl in exchange for increased position and income in the company. But Fred's lapse is momentary, and he again pursues Lia. But she, by this time, has learned of his erstwhile agreement and has agreed to marry someone else.

Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.

There is great excitement in the Palazzo Urbino. Much to the delight of the ladies, the Duke, known as Don Juan, is expected. But the men of the city are less pleased by his arrival. Senator Delagua therefore decides to hide his beautiful wife in a convent and introduce the lady's maid to the Duke as his wife. When the Duke's valet devises a ruse of his own, the complications seem endless.

A formerly unsuccessful musician comes back to his homeland in Carinthia as a famous composer via Broadway and woos his widowed childhood sweetheart.

Vienna, 1951. Ferdinand Godai is a professor of operetta at the Academy. Disguised as a porter for a costume party, he ends up in a drunken mood at the South Station. There he meets Anton Lischka, a genuine Viennese porter with a fiery temper, who asks him for his collegial help. Ferdinand falls in love with the sweet Gabi, who turns out to be a new colleague at the Academy. A series of adverse circumstances force him to continue his complicated double life as a fake porter and a genuine professor. Lischka, who becomes increasingly annoyed by his "colleague's" clumsiness, is also drawn into the confusion. Only Gabi sees through the deception and even contributes to its escalation in order to teach her beloved professor-porter a lesson in womanizing.

Gottfried Jonathan, a small civil servant, lives as a lodger and is roommates with the blonde Käthe. Although she tries very hard, she can’t find a job and can no longer afford her rent of 40 marks. Jonathan secretly loves Käthe and decides to raise the necessary money for her.