Lynn Breedlove

Jim is a butch bike messenger and speedfreak who is suddenly faced with an ultimatum by her girlfriend: clean up or get out. To Jim, speed in its various forms is everything -- a pursuit, a vice, and the thing that courses through his veins. Even though his boss still calls him 'Elizabeth,' Jim loves his bike messenger job, because it enables him to be doing one of his favorite things: going fast. Really fast. The other thing he loves doing is his genius punkstar stripper girlfriend, Ally, who keeps critical theory and lube on the nightstand. She'd live in a paper box with him, and Jim has given up speed (in its drug form) to be with her. But when he plays hooky for love and gets fired, addiction calls, and he gambles on the one person who really understands him.

Mutantes sheds light on a feminism that was little talked about in France. This documentary comprises of a series of interviews conducted in the USA, Paris and Barcelona, and documents from the archives about the political action of sex workers, queer activists and post-pornographic performances.

Gender specific restroom spaces are challenging places for gender non-normative people and single parents! This film not only takes a candid look at this issue through a humorous lens and explores the movement to make restroom safe for everyone.

Documentary about the musical scene in Minneapolis, focusing on queer punk groups. Ganser interviews members of groups such as Tribe 8, The Misfires, and The Butchies.

After twenty years, SF riot grrrl band Vulveeta is poised for a comeback. But will unresolved tensions left over from band leader’s sudden departure threaten to tear them apart before they even get started?

A document of the Riot Grrrl and Queercore scene in the 1990s.

Interviews from 1999, with some queer artists, activists and bands about queer punk, feminist concepts and actions. Filmed during a trip to San Francisco.

This documentary features interviews with Ian MacKaye (Fugazi), J Mascis (Dinosaur jr.), John John Jesse (Demonic Erotic painter), Jim Rose (Jim Rose Sideshow), Jim Thirwell (Foetus), Lydia Lunch, Mike Watt (Minutemen), Richard Kern (Filmmaker), Ron Ashet

Interweaving performance footage, still photos and pointed interviews, filmmaker Tracy Flannigan provides an intriguing glimpse into the lives and psyches of in-your-face lesbian punk rockers Tribe 8. Based in San Francisco, the band is famous for breaking the rules on stage and everywhere else -- and cameras capture it all as the outrageous ladies kindle controversy from coast to coast. Bonus material includes deletes scenes.

Jim is a butch bike messenger and speedfreak who is suddenly faced with an ultimatum by her girlfriend: clean up or get out. To Jim, speed in its various forms is everything -- a pursuit, a vice, and the thing that courses through his veins. Even though his boss still calls him 'Elizabeth,' Jim loves his bike messenger job, because it enables him to be doing one of his favorite things: going fast. Really fast. The other thing he loves doing is his genius punkstar stripper girlfriend, Ally, who keeps critical theory and lube on the nightstand. She'd live in a paper box with him, and Jim has given up speed (in its drug form) to be with her. But when he plays hooky for love and gets fired, addiction calls, and he gambles on the one person who really understands him.

Jim is a butch bike messenger and speedfreak who is suddenly faced with an ultimatum by her girlfriend: clean up or get out. To Jim, speed in its various forms is everything -- a pursuit, a vice, and the thing that courses through his veins. Even though his boss still calls him 'Elizabeth,' Jim loves his bike messenger job, because it enables him to be doing one of his favorite things: going fast. Really fast. The other thing he loves doing is his genius punkstar stripper girlfriend, Ally, who keeps critical theory and lube on the nightstand. She'd live in a paper box with him, and Jim has given up speed (in its drug form) to be with her. But when he plays hooky for love and gets fired, addiction calls, and he gambles on the one person who really understands him.