Oscar Martín

After a serious car accident, David decides to care for his best friend Javi at a remote house. It doesn’t take long until the animosity insidiously builds between them. As the two of them begin arguing, the truth about their toxic, homicidal relationship bubbles to the surface, and madness soon takes hold.

Spain, 1755. Ana is sent to a cloistered monastery where several nuns are afflicted by a mysterious disease. With the help of an unorthodox priest, the young novice uncovers an ancient legend and malevolent force: a bloodthirsty upiro.

July, 1936. The terrible Spanish Civil War begins. When the streets are taken by the working class, the social revolution begins as well. The public shows are socialized, a model of production and exhibition of films, never seen before in the history of cinema, is created, where the workers are the owners and managers of the industry, through the unions.

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

After a serious car accident, David decides to care for his best friend Javi at a remote house. It doesn’t take long until the animosity insidiously builds between them. As the two of them begin arguing, the truth about their toxic, homicidal relationship bubbles to the surface, and madness soon takes hold.

Spain, 1755. Ana is sent to a cloistered monastery where several nuns are afflicted by a mysterious disease. With the help of an unorthodox priest, the young novice uncovers an ancient legend and malevolent force: a bloodthirsty upiro.

July, 1936. The terrible Spanish Civil War begins. When the streets are taken by the working class, the social revolution begins as well. The public shows are socialized, a model of production and exhibition of films, never seen before in the history of cinema, is created, where the workers are the owners and managers of the industry, through the unions.

July, 1936. The terrible Spanish Civil War begins. When the streets are taken by the working class, the social revolution begins as well. The public shows are socialized, a model of production and exhibition of films, never seen before in the history of cinema, is created, where the workers are the owners and managers of the industry, through the unions.

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.