João Paiva

Acting

João Paiva

Born

2008-02-14 (18)

Known for

Acting

Credits

10 titles

João Paiva (born February 14, 2008) studied film at EAAA (Escola Artística António Arroio). During his course in António Arroio, he met his best friends Lourenço and Miguel, with whom he developed five short films, each eclectic in their nature. The trio is known for: Scallops (2025): a videoclip for the band Snow Bungalow. MagNata (2025): a noir-crime comedy. APARIÇÃO (2026): an oniric adaptation of a painting with the same name. The Last Supper (2026): A human drama about the fragility of family ties. LOVERITUAL (2026): An experimental dance film with test footage from The Last Supper. João is currently pursuing his studies at FLUL (Faculdade de Letras da Universidade de Lisboa).

Known for

Film credits

Behind the camera

LOVERITUAL poster
NR

An experimental film made from test footage for a longer film.

LOVERITUAL

—

APARIÇÃO poster
NR

An adaptation of the painting “Aparição” created in 1972 by Portuguese artist Júlio Reis Pereira.

APARIÇÃO

—

MagNata poster
10.0

It is a cold night and there is an electric tension in the air. A box is passed from hand to hand by mafia figures with professional secrecy. They have all been ordered to pass it on to the next courier without opening it, but one of the members is following different orders.

MagNata

2026

The Last Supper poster
NR

In a family household where the only bonds are those of blood, a family gathers for dinner. During the meal, Álvaro—a controlling and belittled father—is confronted with his wife’s repulsion and distance, his frail mother’s indifference, his deaf and blind father’s detachment and alienation, his teenage son’s blatant flirtation with his girlfriend, and the naive defiance of his two younger, bratty children. Álvaro observes the reality of his family’s disintegration as the dinner turns out to be a complete disaster.

The Last Supper

2026

The Last Supper poster
NR

In a family household where the only bonds are those of blood, a family gathers for dinner. During the meal, Álvaro—a controlling and belittled father—is confronted with his wife’s repulsion and distance, his frail mother’s indifference, his deaf and blind father’s detachment and alienation, his teenage son’s blatant flirtation with his girlfriend, and the naive defiance of his two younger, bratty children. Álvaro observes the reality of his family’s disintegration as the dinner turns out to be a complete disaster.

The Last Supper

2026