Michael Fukushima

Director Carrie Haber delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

A look into the creative process and frenzy behind the third edition of the NFB Animation Hothouse. This zippy, mini-documentary reflects the youthful iconoclasm of the six emerging filmmakers and Jason Lee, the documentary director.

An informal look into the personalities and frenzy behind the second edition of the NFB Animation Hothouse. The six Hothouse filmmakers and their NFB collaborators comment on the nature of auteur animation, the place and role of the NFB in that world and the excitement and fear of making a first professional film.

Two little men float into the deep blue sky, tied to balloons. But then each decides the sky belongs to him. This film was made as part of the fourth edition of the NFB's Hothouse apprenticeship.

A young Canadian poet with Chinese and Persian parents travels to Iran to perform at a poetry festival.

In this short animation, a young boy takes a flying leap away from normal, waves goodbye to his classmates, and disappears into the cityscape and beyond. At the same time, a young girl is inspired to reinvent her space with art.

A marvellous example of extreme animation. Jacob Bauming shows us a whirling dervish of sensory overload, with a tenuous connection to snazzy “aquatics,” using them as a trigger for his wild and manic imagination. This film was made as part of the first edition of the NFB's Hothouse apprenticeship.

Look out: Beryl's back. With Affairs of the Art, British animator Joanna Quinn recounts another gloriously unhinged chapter in the adventures of Beryl, the comic everywoman she unleashed upon the world with her debut film, Girls' Night Out, which took home three major awards from Annecy in 1987.

A little creature watches the transformation of a feather and follows a whale to where icebergs melt, leaving birds with nowhere to land. The materials used include old gloves, costume jewellery and Plasticine. Technique: puppet and object animation with drawn animation. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

An imaginative boy suffers the stifling ordinariness of his family's weekly Sunday ritual.

This experimental animation film examines society's deification of architecture and urbanization in the modern world and the impact on our relationship to nature. This film was made with the NFB Hothouse program for emerging filmmakers.

Roots is a one-of-kind produce's-eye journey through a supermarket-and through the highly sensitive issue of adoption disclosure. As a series of fruit and vegetables each drop into a shopping cart, they quickly get caught up in a conversation about origins.

A polar bear must try his luck finding a job in the big city when the last of his Arctic ice environment disappears. It’s hard fitting into the human world, however, so this bear finds a more creative solution to his predicament. This film was made as part of the 8th edition of the NFB's Hothouse apprenticeship.

In this animated short, filmmaker Chris Hinton and composer Michael Oesterle leap back and forth between picture and sound. The dynamic movement of Hinton's visual art dances in syncopation with the bold musical strokes of an original modern classical composition. Without words.

Megann Reid evokes the solitude and warmth of a bath. Drawn with water colour pencil crayons on frosted acetate, the animation was done under a digital camera. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

A figure floats in landscapes and spaces without a ground plane. There is only water. The reflected skies are endless and mirrored interiors are doubled in height. This film explores experiences within environments that are recognizable but surreal. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

A tale of Victorian-era folly ends in tragedy. Kevin Langdale's graphic style brims with the majesty of human ambition and the indomitable and sometimes destructive power of the natural world. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

A woman must find paperclips for a report to be presented in the morning.

A pithy critique of society's commercialization of water, abetted by an utter disregard for the future. The film is a mixed media whirlwind of hyperactive animated collage. This film was made as part of the first edition of the NFB's Hothouse apprenticeship.

Little bald Léon loves his grandfather. He loves the old man's bushy black beard, which seems endowed with magic powers.

Marielle Guyot uses her computer skills with great artistic sensibility to bring the sea to life, death, and hopefully, life again. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

The story of a young Mi'kmaq girl whose name means "the light from the dawn."

Emile is an unhappy little vampire, doing a job he detests, in a world plunged into perpetual gloom. He serves a despotic mistress who loathes wrinkles, in the most extreme way.

Thea Pratt explores the exhilarating moment of a poetic dive. The movement of the puppet diver is influenced by Norman McLaren, Leni Riefenstahl and Busby Berkeley. Dancing light, frothing oceans, rolling rivers and calm lakes describe in photographic images the diver’s own stream of consciousness. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

Five animals meet regularly to discuss their inner angst in a group therapy session led by Dr. Clement, a canine psychotherapist. The group includes Lorraine, a leech who suffers from separation anxiety; Cheryl, a praying mantis who can’t seem to keep a man; Todd, a pig with an eating disorder; Jeffrey, a bird with guilt issues; and Linda, an obsessive-compulsive cat.

Seeking shelter from a thunderstorm, a man sits in a pub watching the ice in his glass melt away. Howie Shia marries his graphic illustration style with subtle animation and a haunting soundtrack to conjure up anxiety and foreboding. He used pen and ink on tracing paper and later composited and coloured digitally. This film was made as part of the second edition of the NFB's Hothouse apprenticeship.

In this short animation Damien Hess attempts to connect with the tragedy of the First World War, a conflict that helped define Canada. In this film he uses imagery of the Canadian National Vimy Memorial monument in northern France to summon up names, faces and shadows that are fading from our memory. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.