Mario Zorrilla

During the eve of the 6th of January, a record-breaking snowstorm sweeps across Spain. In the midst of its chaos, a group of robbers seizes the opportunity to hijack an armoured van. A few meters away is Leo, a finished policeman who has nothing to lose. With the unexpected aid of a young woman, he will try to stop the band from running away with their loot.

Lina, a well-known TV host, appears at Pedro’s doorstep to confront him about a cruel message he posted about her online. What begins as a showdown soon turns into an awkward living arrangement that quietly reshapes them both.

Justino is a widower who lives isolated from the world on a large. Amira is one of many illegal Moroccan seasonal workers seeking a better future in Spain. One night, when Justino goes down to the village to sell his tomatoes, he accidentally runs her over.

No synopsis available yet.

Would you wait through the endless waiting list if you could get the medical test you need as a priority? But when you go with a recommendation, not everything comes with perks.

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A short film in honor of Sancho Panza from Don Quixote in which Sancho also pursues his dream after believing in himself.

The film Crustaceans treats itself like an impressionist picture or a Japanese Haiku. Crustaceans is a matter of reflection on an instance in life with the social-economical crisis as a landscape. The heartbreak in times of crisis. The film was filmed as demonstrations in the streets against crisis and social welfare cuts took place. For two years, it filmed street demonstrations and incorporated actors in the social landscape. The result, is a film in which the collective and the intimate come together. Both the characters and the people in the street, like identical crustaceans, take to the street to express their shame and rage for what is happening and try to find a solution. A time of anxiety, uncertainty and protest that conforms the landscape in which the characters, such as crustaceans hide their wounds under their hard shell is seen.

Food, glorious food! Some of the most sumptuous and involving films revolve around that most common of acts: eating. 18 MEALS is an omnibus film of criss-crossing stories divided into three segments; breakfast, lunch and dinner. Jorge Coira's debut feature, shot over nine days in Santiago de Compostela has enough tasty portions to please audiences. Amongst Coira's expansive ensemble are aging street musician Edu, a pair awaking from a one-night stand, a businessman visiting his closeted homosexual brother and a lonely housewife, Sol. Victor and Sol are two of 18 MEALS' most fascinating characters as they each hide something - his sexuality, her depression - from those around them. Best of all is Pedro Alsono as Vladimir, a local celebrity actor who makes a meal for a mystery woman who never arrives. Who hasn't gone to a lot of trouble to do something extra special for someone just to have it go unappreciated?

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A boy throws himself into the sea without looking back.

In post–civil war Spain, 10-year-old Ofelia moves with her pregnant mother to live under the control of her cruel stepfather. Drawn into a mysterious labyrinth, she meets a faun who reveals that she may be a lost princess from an underground kingdom. To return to her true father, she must complete a series of surreal and perilous tasks that blur the line between reality and fantasy.

Daniel, an ex-convict, tries to get back at his corrupt father-in-law by kidnapping his own son and hiding him in an abandoned town where they are producing American westerns. Daniel will have to face a vile father-in-law, an ex-wife that stalks him, as well as a falling actor in order to carry out his vengeful plan.

Ignacio and Paul are father and son. The first is fifty-five, and the second is about thirty. In recent months, none of them have lived in the family home in which the two were the only occupants, Ignacio because emigrated to another city in search of employment, his son, who was admitted to a detoxification center. The chance that father and son wants to return to the people the same day. A Ignacio, in their new company, we have taken early retirement and has run out of excuses to prolong his absence the people and what was his family home. To Paul, meanwhile, have been discharged in the center and, from now on, you can continue your treatment in the outpatient own people

Ana works in an office where the things are going very badly. One night after having dinner with nasty rich people, she has a discussion with her husband. He dissapears and then the life of Ana changes: she has incredible luck in gambling.

Around an old Chevrolet abandoned in a city square, a series of characters seek refuge and shelter.

No synopsis available yet.