Scott B

A punk savage satire about a kidnapping.

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

The almost lyrical Letters to Dad, is a meditation on authority that superimposes the spectre of Jonestown over the relatively fresh faces of the parapunk art world; the film takes on a musical form - like a 20th-century ballad composed of subliminal behavior cues, advertising testimonials, and the text of the National Enquirer

A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.

An innocent youth is abducted and dragged down into a dystopian nightmare where teenage Lydia Lunch throws him into the Black Box.

An innocent youth is abducted and dragged down into a dystopian nightmare where teenage Lydia Lunch throws him into the Black Box.

An innocent youth is abducted and dragged down into a dystopian nightmare where teenage Lydia Lunch throws him into the Black Box.

A punk savage satire about a kidnapping.

The almost lyrical Letters to Dad, is a meditation on authority that superimposes the spectre of Jonestown over the relatively fresh faces of the parapunk art world; the film takes on a musical form - like a 20th-century ballad composed of subliminal behavior cues, advertising testimonials, and the text of the National Enquirer

A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.

A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.

A film noirish atmosphere is created to show detective Lunch (a popular underground musician and poet) plow her way through the plans of a corporate businessman who seeks government defense contracts through real "corporate wars" and the manipulation of politicians.

A return to Super-8 after "Vortex"; concerned with training in torture.

A Super-8 movie based on the case of grandmother murderess Velma Barfield who was executed for murdering her husband. It was described by Tessa Hughes-Freeland in "The Underground Film Bulletin #4" as "A murderess's last testament, explicating her view of the world, of her crime, and of her punishment. Intimate, compelling and ultimately disturbing".

A Super-8 movie based on the case of grandmother murderess Velma Barfield who was executed for murdering her husband. It was described by Tessa Hughes-Freeland in "The Underground Film Bulletin #4" as "A murderess's last testament, explicating her view of the world, of her crime, and of her punishment. Intimate, compelling and ultimately disturbing".

A Super-8 movie based on the case of grandmother murderess Velma Barfield who was executed for murdering her husband. It was described by Tessa Hughes-Freeland in "The Underground Film Bulletin #4" as "A murderess's last testament, explicating her view of the world, of her crime, and of her punishment. Intimate, compelling and ultimately disturbing".

An exploration of social schizophrenia in which terrorists consult their mothers before planting bombs, and the head of the New York City bomb squad succumbs to his dominatrix.

An exploration of social schizophrenia in which terrorists consult their mothers before planting bombs, and the head of the New York City bomb squad succumbs to his dominatrix.

A Nietzschian parable on the fate of innocence, THE TRAP DOOR follows the mishaps of Jeremy (John Ahearn) as he is fired by his boss (Jenny Holzer), gets laughed out of court by Judge Gary Indiana, loses his girlfriend to sleazy Richard Prince, is hustled by prospective employer (Bill Rice) and mauled by predatory bird-women. Finally, he seeks the help of a shrink (the legendary Jack Smith) who turns out to be the most demented of all.

A Nietzschian parable on the fate of innocence, THE TRAP DOOR follows the mishaps of Jeremy (John Ahearn) as he is fired by his boss (Jenny Holzer), gets laughed out of court by Judge Gary Indiana, loses his girlfriend to sleazy Richard Prince, is hustled by prospective employer (Bill Rice) and mauled by predatory bird-women. Finally, he seeks the help of a shrink (the legendary Jack Smith) who turns out to be the most demented of all.

A Nietzschian parable on the fate of innocence, THE TRAP DOOR follows the mishaps of Jeremy (John Ahearn) as he is fired by his boss (Jenny Holzer), gets laughed out of court by Judge Gary Indiana, loses his girlfriend to sleazy Richard Prince, is hustled by prospective employer (Bill Rice) and mauled by predatory bird-women. Finally, he seeks the help of a shrink (the legendary Jack Smith) who turns out to be the most demented of all.