Tatti Sanguineti

After its premiere at the Berlinale Forum in February '75, Anna was also presented in Venice, the film was followed by a very well-participated debate, alongside Alberto Grifi there was Adriano Aprà, and among those present was Tatti Sanguineti, the author of a very articulate critical speech. The footage of this meeting is part of the 30 cassettes containing the video footage from which the film was edited, thanks to the work of Anna Maria Licciardello, the Cineteca Nazionale with the Fondazione Grifi and the La camera ottica laboratory in Gorizia.

A passionate cavalcade through decades of "coming attractions"

A ne'er-do-well who's married to a millionnaire realizes his financial trouble might be solved if his wife was dead - and sets out a plot to achieve just that. A remake of Dino Risi's "il vedovo".

Several figures associated with Cinico TV talk about its inception, its rise, and the context in which it took place.

Love Among the Ruins is a spoof about the miraculous discovery and restoration of a long lost Italian silent film. The film connects a contemporary filmmaker with the genius of the Lumini brothers, two cinematic icons who have been almost overlooked in the history of cinema.

You're 20 years old and life is full of endless possibilities. But, on a rainy evening, you bumps into another car and life hasn't been the same anymore. Even though you have everything something keeps on eating you up.

Piero Tortolina has been a point of reference for a whole generation of film lovers. Pioneer of cinema-clubs and great film collector, he has been an invisible protagonist in the history of italian cinema.

Just before sleeping, a small boy finds a crate of ancient toys: a little circus, lead soldiers and a book about circus legend Antonio Franconi - whose dream was creating a great show mixing all possible forms of art.

This film tells the story of three defeats: Berlusconi’s political and human defeat in his “twilight”, the one of Ciccio Mirra, Berlusconi’s unconditional supporter, deeply rooted in an ancient culture that dies hard, and the director’s artistic defeat in an Italy that recognised itself in this “Berlusconian culture” for a long time, and probably still does.

Italy, 1968. Aspiring actor Nicola enrolls in the police to pay for his studies, ending up undercover among college students protesting the government, the Vietnam War and the values of their parents' generation. However, he complicates his mission by falling for Laura, a bourgeois girl dreaming of a better world.

Bruno Bonomo was a famous producer of B-movies in the ‘70s. After a long hiatus, Bonomo offers a screenplay to RAI centered on the figure of Italy’s prime minister and media tycoon Silvio Berlusconi, a subject so controversial that even the public television broadcaster refuses to produce it

A sanitary battalion of Italian Army is sent to Sorman oasis in Lybia during the Africa campaign in 1940. Soon an Italian missionary, living nearby, succeed to transform the occupation by Italian Army in a kind of humanitarian mission. In fact all the battalion is involved to help the local population. The war anyway goes on with no regards to human feelings. The "glorious" Fascist campaign is going to became a fast retreat.

In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have their great chance, when a local nobleman obsessed by magic decides to invest all his wealth in the making of a movie about Cagliostro, just one year after Orson Welles' Black Magic (1949). They hire a famous American actor (Robert Englund) and start shooting "The Return of Cagliostro".

A documentary on Fellini’s lost alternate ending for 8½

No synopsis available yet.

No synopsis available yet.

A group of Italian people go to Cuba, for various different reasons. One of them would like to remake Vittorio De Sica's The Bicycle Thief. But it won't be easy.

No synopsis available yet.

Carlina returns to Milan from the United States and reunites with an old friend with whom she will begin a romantic relationship.

Michele is a young filmmaker frustrated by the lack of understanding his work receives and at odds with the film industry, especially a colleague making a musical on the '68 student protests. As he struggles to complete his own film about Freud's mother, Michele's insecurity and creative block manifest in a series of unsettling nightmares. Nanni Moretti's self-inquiry into cinema, political ennui, and men's relationships with their mothers.