Siegrid Alnoy

In 1971, a young woman moves from the French countryside to Paris and begins a passionate love affair with a feminist leader.

A chronicle of the unconditional love between a mother and her daughter, from 1958 to the present day, which is endangered by an unsteady and manipulative father.

A young, enthusiastic girl named Ondine walks into an art bookstore, asking if she can do her school internship there. She isn’t very lucky, though: the bookseller is a grumpy, brusque woman who puts her to the test with a customer while spouting her disillusioned rants about the death of art and culture. Will Ondine manage to convince the woman to take her on for the internship?

No synopsis available yet.

No synopsis available yet.

Three young mothers meet each other on a playground with their children.

The story starts where the tale ends: Snow White wakes up to the age of sexuality and discovers a world where the dwarves have become tall, and her Prince Charming is deprived of charisma. And, most terrible of all, her mother is incomparably more sexy.

The story starts where the tale ends: Snow White wakes up to the age of sexuality and discovers a world where the dwarves have become tall, and her Prince Charming is deprived of charisma. And, most terrible of all, her mother is incomparably more sexy.

No synopsis available yet.

No synopsis available yet.

At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal?

At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal?